Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Leading language/ action/ sound poet performed his groundbreaking concrete poem, a dizzying mandala of text, symbols and rubber stamps; a kind of book as reading machine.
What does it mean to resist seeking assimilation or inclusion within, or let our demands be co-opted by the very systems we seek to dismantle?
Hijokaidan rapidly built a following due to the overwhelmingly physical intensity of their live performances, often involving destructive onstage rituals of vomit, urine, mangled guitars and ear shredding volume.
Repetitive, mesmerizing rhythmic workouts, to pieces of stark and rigorous introspection, where notes picked and slid in isolation, scatter like mercury around the listener.
Summing up of the investigations with a reflection on what has been done that week and what could be done the next.
These simple, one-take videos, relate personal experiences to the current conflicts in the Middle East via the most basic of means (a hotel room, a camcorder, John’s personal thoughts, concerns and convictions).
When we look, how do we objectify the body; how can we reflect on our (self) image as a construction?
Glasgow based artist Defaalt invites the audience to collaborate fully in his performance by means of a generative graphical interface.
A stroboscopic and intense sensory overload of flashing abstract forms, cut to ribbons by modified projectors.
A landmark film on black life – a poetic filmic constellation of meditations, fragments and interviews on what it means to be black in America in the 21st century, from one of its great cinematographers.
The club as a community and a site for performed politics: deep/ queer house, vogue femme, lipsync and ballroom.
A recreation of one of Gustav Metzger’s celebrated auto destructive performances.
