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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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"Episode 11: To End the Worlds As We Know It" title superimposed in white & red text on top of a blue back ground with a dark navy circle that looks like ripped paper.
13 – 17 November 2024
Tramway Glasgow School of Art

Episode 11: To End the World As We Know It

5 days of film, music, discussion and study of our collective incompleteness—arrayed against the colonial ordering of how we come to know the world—practicing how we might exist otherwise, right here and now. Can we start to know and practice the world to come?

Film still from A Plot, A Scandal. A person is sits on top of a thick fur blanket or rug. They are sat on their bottom, their right hand and leg are raised up. In their hand they hold a what looks like a wooden pole. They are dressed in lilac silk and wear a wig of light curly hair, like a judge’s wig. It is a staged environment with a cast of yellow light highlighting the figure.
14 November 2024
Tramway

A Plot, A Scandal

Ligia Lewis

Conceptual choreography as critique, in Ligia’s film of Caribbean plots and scandals, and the possibilities of anti-colonial revenge, rest and repair.

Episode 11: To End the World As We Know It
Ali Robertson Hunches over a table with lots of small metal objects on it
21 March 2009
The Arches

Free-form hook up

Ali Robertson Euan Currie Fritz Welch

Dead Labour Process drool-tape farmer, squeaking/creaking Usurper brother and Peeesseye’s yodelling traps-man hold a real OUT splutter party.

INSTAL 09
Takehisa Kosugi bowing a violin between two screens showing waves
21 May 2005
The Sage Gateshead

Catch-Wave ’05

Takehisa Kosugi

A new interpretation of Kosugi’s Catch-Wave, producing a cloud of fluctuating, hypnotic drones, in front of a backdrop of projected waves.

Music Lover’s Field Companion 05
Michiyo Yagi is bent over a large koto stringed instrument in a pink light
15 February 2008
Stereo

Michiyo Yagi

Michiyo Yagi

Sometimes delicate, sometimes harsh and jarring, Yagi’s koto solos are as much inspired by Nancarrow or Cage as they are traditional.

INSTAL 08
Arika_ASIAPOL_Whitney2012_Ultra-red_GeorgeLewis_Photo_BMcIntyre-22
2 May 2012
Whitney Museum of American Art

What is the Sound of Freedom?

Ultra-red George Lewis

For day one of Ultra-red’s project, the investigation will take up protocols for listening to the sound of freedom composed and facilitated by George E. Lewis.

A survey is a process of listening
14 April 2025

Week Six: Decolonising ‘global mental health’

Lisa Fannen Sapna Agarwal

We’ll be looking at decolonising ‘global mental health’. We’ll look at the concepts of decoloniality, of things being ‘culture bound’, and at hermeneutical injustice* as ways to examine dominator knowledge systems, and the institution of psych/iatry.

In Our Hands 2025
A metallic form projected on a wall
14 April 2007
DCA

Ken Jacobs & Eric La Casa

Eric La Casa Ken Jacobs

Ken presents his Nervous Magic Lantern, wherein film itself is forsaken for an investigation of hypnotic and trancelike crystaline forms. Eric La Casa works with recordings of everyday occurrences: the background hum of place.

Kill Your Timid Notion 07
Henri Chopin on stage smiling and operating a tape recorder
16 October 2005
The Arches

Henri Chopin

Henri Chopin

Renouncing the bind of the written word, Chopin’s sound poetry is a magical evocation of the pure powers of the voices, stripped bare of language.

INSTAL 05
Vanessa Place reading from white papers in a black room
12 November 2010
GFT

Notes on Conceptualism Lecture

Vanessa Place

Vanessa Place talks at The Friday Event series at the Glasgow School of Art about her practice as a writer.

INSTAL 10
White text over an advert showing a man on a boat
21 January 2012
CCA

Argument – We would argue: an ante/post discussion group

Gil Leung Ian White

Ian and Gil will host a discussion on the Argument project’s social and political commentaries, and with you try and maybe think through whether and how they might still have some currency today: what’s changed and what’s stayed the same?

Episode 1: A Film is a Statement
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