Stalled at Universal – Una MacGlone, Peter Nicholson & Aileen Campbell
Aileen Campbell Peter Nicholson Una MacGlone
Glasgow. Free-playing quartet of bass/ cello/ voice from The Glasgow Improvisors Orchestra and Age Of Wire & String.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Glasgow. Free-playing quartet of bass/ cello/ voice from The Glasgow Improvisors Orchestra and Age Of Wire & String.
4 days of workshops, discussions and artists presentations exploring the radical act of caring for each other while working to change the world.
A full-blooded, emotional attempt to reinvigorate improvisation from a musically inclined philosopher and two philosophically inclined improvisers.
Voguing, drag, clubbing, and the politics of communities making different performances of gender and sexuality visible.
An audio/ video, lecture/ performance exploring the queer and companionly inter-activity of human-animal relations.
Summer Solstice hang out IRL and URL on 21 June
If life is assaulted by power, where do we find spaces for living? A conversation with Peter Pál Pelbart.
Kanta is a young Japanese artist with a home-made, short circuited take on electronics and physical phenomena which he uses in performance to produce close circuit systems of audio / video feedback.
We’ll look more at psycho-emotional health – exploring experiences as opposed to diagnoses. And exploring collective care and collective healing.
As part of Karrabing’s visit to Scotland, the collective will be hosted for three days in the Isle of Skye by The School of Plural Futures.
MICRO 1 – Wrap a live microphone with a very large sheet of paper. Make a light bundle. Keep the microphone live for another 5 minutes. T. Kosugi – (1961)
A rare live performance which, although not a full installation, made use of the unique acoustic and spatial properties of the Arches to rattle the audience and help it locate its third ear.