Andrew Lampert
Andrew Lampert
Quasi-theatrical multiple-projector pieces play with the relationship between performers, art and audiences.
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Quasi-theatrical multiple-projector pieces play with the relationship between performers, art and audiences.
A Festival supporting the struggle for Sex Workers’ Rights: share knowledge, discuss, dance and strategise!
A stroboscopic and intense sensory overload of flashing abstract forms, cut to ribbons by modified projectors.
Avant-wrongdoers Blood Stereo performing in Garthamlock the town spawned them.
Three intense solo performances for drums (both played and screamed through), cymbal, voice, credit card, bird whistle, and guitar amplifier/leads.
In the Foyer at the Tramway we will screen a documentary from the Sex Workers’ Festival of Resistance 2017 and La Llamada by Eduardo Restrepo Castaño.
Work that focuses in on the static hiss and background noise of recording and pushes it to the fore.
Post consideration and post rationalisation… How do we think about experimental music and film after the performance?
For this one off performance Vibracathedral Orchestra are joined by Matthew Bower and John Godbert from mighty UK heavy/drone/psych free-noise behemoths Skullfower, Sunroof! and Total.
Sonic ‘observations’ of the world, through micro recordings on a tiny scale and transformed into something musically compelling.
If life is assaulted by power, where do we find spaces for living? A conversation with Peter Pál Pelbart.
A rare live performance which, although not a full installation, made use of the unique acoustic and spatial properties of the Arches to rattle the audience and help it locate its third ear.