Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Torrential, wrenching wordless wails, guttural screams and roars, a Haino solo vocal performance.
Tiny fragments of sound recombined and woven into spare and precise, violent yet beautiful pieces
For day five of Ultra-red’s project, the investigation will review the previous work undertaken together, and perhaps draw up a summary of reflections and pose some future questions.
Do art forms like black radical poetry, free jazz and improvisation create a space for the performance of freedom? Did they ever? And can they still do so now?
What would a world and an ethics look like free from the destructive consequences of the Western mind?
In 2008 we toured our Kill Your Timid Notion festival of experimental sound and image to London, Bristol and Glasgow, bringing audiences a taste of the previous 5 festival editions.
Watching films and chatting with Karrabing members about those films: as they attend to the memory and practice of the ancestral present and the ancestral catastrophe that Karrabing and their more-than-human world find themselves facing.
Goofily deformed, deeply thought vocal jams: like the sound of your own breath rushing through your head.
The most sophisticated synthetic music around: timbrally otherwise body music as sonified fictions and auditive sociograms.
A somehow hyper-modern, ancient and folkloric lip-synced, made-up, fashioned performance.
How can we imagine bodies not as an end in themselves, but as a medium through which we can become one another’s means?
When we look, how do we objectify the body; how can we reflect on our (self) image as a construction?
