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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A metallic form projected on a screen
29 November 2008
BFI IMAX Spike Island CCA BFI Southbank ICA

Ken Jacobs & Eric La Casa

Eric La Casa Ken Jacobs

Jacobs’ pulsing and abstract 3D Nervous Magic Lantern performance grounded by Eric La Casa’s manipulated recordings of everyday locations.

Kill Your Timid Notion on Tour
Film still from A Plot, A Scandal. A person is sits on top of a thick fur blanket or rug. They are sat on their bottom, their right hand and leg are raised up. In their hand they hold a what looks like a wooden pole. They are dressed in lilac silk and wear a wig of light curly hair, like a judge’s wig. It is a staged environment with a cast of yellow light highlighting the figure.
14 November 2024
Tramway

A Plot, A Scandal

Ligia Lewis

Conceptual choreography as critique, in Ligia’s film of Caribbean plots and scandals, and the possibilities of anti-colonial revenge, rest and repair.

Episode 11: To End the World As We Know It
By blacklight in front of a yellow wall two silhouetted people perform
14 February 2008
The old public library in Easterhouse

Personal Space

Blood Stereo

Avant-wrongdoers Blood Stereo performing in Garthamlock the town spawned them.

INSTAL 08
26 – 27 March 2022
CCA Annex (Online)

A Breath to Follow | Um sopro a se seguir

2 days of online discussions and artists presentations exploring the cosmological, decolonial, sensorial practises of Black and Indigenous grass roots art, dance and music collectives in Brazil.

Dois dias de discussões e apresentações online de artistes explorando as práticas cosmológicas, decoloniais e sensoriais de coletivoas de arte, dança e música de base negra e indígena no Brasil.

A female lying on a bed smiling as someone sits next to her
19 April 2015
Tramway

Ode to 1 & under

Constantina Zavitsanos Park McArthur

How can we imagine bodies not as an end in themselves, but as a medium through which we can become one another’s means?

Episode 7: We Can’t Live Without Our Lives
21 March 2009
CCA

Encuentro Glasgow

Ultra-red

A public gathering that brings together local artists, musicians, activists, and community organisers.

INSTAL 09
13 March 2022
Online

Support Not Separation

Ubuntu Women Shelter Legal Action for Women Recovering Justice

How do grassroots feminist organisations strategise relationships between mothers, parents, carers and their children based on respect and empowerment, in resistance to the practice of putting children in often the most uncaring of places – care.

Mutual Aid
14 October 2006
The Arches

Infest – Red Kites

Red Kites

Brother and sister stumble over the early morning horizon in a spectral haze of emotionally devastating lunar vocals and oblique, lithium-soaked folk.

INSTAL 06
Jerome Noetinger's hand twiddling a knob on a mixing desk is in the foreground
22 March 2009
The Arches

Jean-Philippe Gross & Jerome Noetinger

Jean-Philippe Gross Jerome Noetinger

Duo performance by two great French musique concrète improvisers using feedback, contact mics, tape, an old Revox tape machine, a vintage synth…

INSTAL 09
23 November 2019
Tramway

Discussion on Mathopoetics

Fred Moten Fernando Zalamea

A back and forth between Fred and Fernando on the transits and obstructions between mathematics and poetics, and how both help us to think from the other side.

Episode 10: A Means Without End
11 March 2022
Online

Prisoner Solidarity in Practice

Prisoner Solidarity Network Glasgow Prisoner Solidarity

How do people both inside and outside of prison work together to dismantle the criminal justice system and build a society based on collective care?

Mutual Aid
A row of people in uniforms, pinafores, hats
19 January 2012
CCA

An introductory salon

Hartmut Bitomsky

Hartmut led “a workshop in the old-fashioned way of discussion, mutual exploration of ideas and samples; trying out what can be shared and where the fault lines show.”

Episode 1: A Film is a Statement
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