Episode 5: Hidden in Plain Sight
Voguing, drag, clubbing, and the politics of communities making different performances of gender and sexuality visible.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Voguing, drag, clubbing, and the politics of communities making different performances of gender and sexuality visible.
A historical narrative of the black and latino/a transgender, bisexual, lesbian, and gay House and Ballroom Scene in relation to its artistic practices.
A performed filmic conversation on queer and black world making.
How do grassroots feminist organisations strategise relationships between mothers, parents, carers and their children based on respect and empowerment, in resistance to the practice of putting children in often the most uncaring of places – care.
A chat with Rashad about the communist, conceptual methodology that informs his ground-breaking synthetic music—a form of speculative sonic fiction writing to produce hyperreal non-representational auditive experiences.
Sparse and miniature free thought workouts involving guitar, vocals and tuba.
Merzbow takes the junk of sound and transforms it into blistering noise assaults with an incredible spectrum and impact.
A rare live performance which, although not a full installation, made use of the unique acoustic and spatial properties of the Arches to rattle the audience and help it locate its third ear.
A recreation of one of Gustav Metzger’s celebrated auto destructive performances.
A kind of audience activating, structured film guessing game in the manipulation of time, sound and image. “At 11:15, weiners. At 21:05, pornography. At 23:30, a duet. Watch the Clock.”
An immersive live performance for multiple 16mm film and bass clarinet, taking in the whole gallery, submerging the audience.
A full-blooded, emotional attempt to reinvigorate improvisation from a musically inclined philosopher and two philosophically inclined improvisers.