
From Subjection to Subjection
Charlene Sinclair Saidiya Hartman Tourmaline
A conversation about the movement for prison abolition and refusing the logic of race and sex that underpins the criminalisation and mass incarceration of communities.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
A conversation about the movement for prison abolition and refusing the logic of race and sex that underpins the criminalisation and mass incarceration of communities.
A life force of ecstatic clarity capable of loquacious bursts of affirmation.
Terry is one of the most entertaining and unpredictable musicians in the London free improvising music scene. Rhodri Davies extends his instrument under a battery of techniques creating sound colours and textures quite alien to the harp.
Poetry of raw fearless truth and the realest crip insight fully embedded in absolute lyrical lounge.
This set continues on from the Bud Neill inspired clatter using the contents of the Usurper twin’s pockets.
INSTAL’s third outing saw performances by AMM, Cosmos (Sachiko M & Ami Yoshida), Voreboms, Vibracathedral Orchestra with Matthew Bower and John Godbert, Paragon Ensemble, Merzbow and Ryoji Ikeda.
The queer archiving of traumatic cultural memory from one of the leading voices working with queer archives.
A Performance exploring the nature of acousmatic listening; sound removed from visual context and understood for it’s own properties.
A series of badly felted lock-ups and garages + multiple locations within the Megastructure – a purpose built town centre in one building, comprising (in the 50’s at least) of housing (never occupied), shops, apartments, a hotel, ice rink, police station and other amenities
Instead of the one-way monologue of normal performance, what would be the result of an actual collective dialogue? Where would it go?
An occasion for commotion, and a chorus of motions. Choreography rotating your revolutions and then some.
An utterly deep introspection told in aching, weeping guitar lines; melodic, simple, always minimal but somehow entirely epic.