
Andrew Lampert
Andrew Lampert
Quasi-theatrical multiple-projector pieces play with the relationship between performers, art and audiences.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Quasi-theatrical multiple-projector pieces play with the relationship between performers, art and audiences.
Tormented and drawn-out high-pitched yelps and drones, all interleaved with periods of torpid silence.
Heat-mapped bodies, found porn films, Korean psyche-folk, creepy police intrusion and self-defence.
Robin Hayward – exploring the micro-sounds of a tuba, filling slowly with sand.
Trans-temporal drag, sexuality and the re-staging of illegible moments in history.
Smith/Stewart set up allegorical situations over which they often have little to no control, but which instigate explorations of dependence and trust, the body, sex and death.
French improviser, composer, writer & musical thinker of dry humour and elegant clarity. Sly conjurer of music from the unconsidered processes of music making.
Jarrod Fowler creates a social space where layered one-to-one live encounters with the audience become sonic material.
When we look, how do we objectify the body; how can we reflect on our (self) image as a construction?
For musical chameleon Richard Youngs both his creative and family life are focused in the room that many of us consider the centre piece of our lives.
One of the great experimental films. A 60 minute, three part riddle that maybe approximates our intellectual development by moving from imageless words to the recognition of silent images and the learning of simple tasks and finally a serenity and acceptance of death.
Whether drawing their own fractured, abstract narrative, or re-contextualising, chewing up and spitting out someone else’s, each of the films here take a dramatic arc as their starting point and throw it to the wind.