Sea Oak
Emily Wardill
A film installation as both allegory and investigation of The Rockridge Institute and their research into ‘framing’ and the use of metaphor within political discourse.
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A film installation as both allegory and investigation of The Rockridge Institute and their research into ‘framing’ and the use of metaphor within political discourse.
Individual experience separated by physical boundaries (of space, time or ability) suggested as communities of collective experience by (perhaps voyeuristic) artists.
Sonic ‘observations’ of the world, through micro recordings on a tiny scale and transformed into something musically compelling.
Our favourite Lancashire-born autodictact asks what’s political about the tension between the individual and the collective in free jazz.
How can we imagine bodies not as an end in themselves, but as a medium through which we can become one another’s means?
“I am truly without faith. In a media marketplace that demands soulness, I can only offer soulnessless.”
Thirty lucky Instal punters experience Kylie’s pre-match aggro workout one-on-one in the darkness of an Arches dressing room.
How do people living with disability see themselves in today’s sexualised culture? How do we imagine our crip sexual selves despite society wanting to reduce us to non-erotic bodies?
How do communities practice being one another’s means, addressing their material problems facing them replicating the state’s violent logic of who is disposable.
Junko’s screaming vocal in a nuanced, piercing duo with Urabe’s fuming and convulsive saxophone, far removed from the codes of musical tradition.
Performances at Anthology Film Archives by by Loren Mazzacane Connors, Alan Licht & Jandek.
Chip will read some of his great literary pornography, which pushes sexuality to the point of extremity and exhaustion.