Salon and Q&A
Kjell Björgeengen William Bennett Zoe Irvine
A day of presentations and discussions on the theme of audio visual perception in the context of experimental music, film and art.
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A day of presentations and discussions on the theme of audio visual perception in the context of experimental music, film and art.
What would a world and an ethics look like free from the destructive consequences of the Western mind?
A chorister attempting to sing Vivaldi, with live accompaniment, while trampolining for 20 minutes.
What’s the relationship between the eternal hum of the oceanic beloved and the persistence of vorticity in fluid dynamics? And how does Alice Coltrane’s harp help us stay there?
Open community meeting to discuss some of the prevalent concerns impacting the ballroom community.
A specially commissioned performance for organ. “The course of the stars were to be put to sound.”
Jarringly beautiful and often maniacal expression of hallucinatory and very personal visions.
Exploring the interplay between punk sinewave aggression, high-speed video sequences and stroboscopic lighting
A celebration of our overabundant social entanglement and complicity, that remind us of how we can see ourselves, stripped of powers’ attempts to grasp us.
A double bill of Morgan Fisher films that ask what can be achieved by a simple structural method of commenting on scraps of 35mm film, re-shot on 16mm film and what happens to meaning (if anything) when ‘insert shots’ are relieved of their original duty of providing crucial plot development for a variety of other movies?
Performances of compositions by Jean-Luc Guionnet and others, with Julia Letitia Scott, Iain Campbell F-W, Neil Davidson, Fritz Welch, Liene Rozite, Emilia Beatriz.
Jean-Luc Guionnet will be giving a talk as part of the music department’s ongoing series of colloquia.