Episode 2: A Special Form of Darkness
A festival asking how ideas of nihilism, darkness, subjectivity and abjection play out in experimental music, performance art, horror, neuroscience and philosophy?
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A festival asking how ideas of nihilism, darkness, subjectivity and abjection play out in experimental music, performance art, horror, neuroscience and philosophy?
The club as a community and a site for performed politics: deep/ queer house, vogue femme, lipsync and ballroom.
Haino exceeds expectation with a 4 hour solo performance on a collection of more than forty instruments from all over the world.
Michael Colligan pressing white hot metal into dry ice, causing the metal to sing and scream.
Journalist and underground music champion Alan Cummings talks to Keiji Haino about his career and his performance the previous evening.
A performed filmic conversation on queer and black world making.
Four intimate 45 minute sessions, readings of your political questions – using Tarot, Palmistry, Reiki, Astrology, and Philosophy, and the invented methods of Fake and Political Therapy.
Simple maths and stringent scored instructions move precise frequencies and clicks to create a dense, fluctuating environment of standing waves and physical sound.
What would have happened in 1963 if someone from the voguing ball scene going on in Harlem had travelled downtown to perform alongside the early postmoderns at Judson Church?
Poems are kisses, fists, and underground rivers. For all these reasons and many more, I am a poet.
Free jazz pianist John Blum with an everywhere-at-once presence in duo with Jackson Krall, incendiary free jazz drummer and sound sculptor
A public walk from George Square to the Barras market bringing contributions from researchers, activists and artists in a form of live critical praxis