
Neurotransgressive Fun Times: Time Travel Dyspractice Workshop
Daniel Oliver
In this workshop we will imagine ourselves as time travellers from a glorious and chaotic neurodivergent-led future.
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In this workshop we will imagine ourselves as time travellers from a glorious and chaotic neurodivergent-led future.
Wordless, reverb drenched voice, ghosted electronics, seething and ferocious electronic damage and Patty Waters style vocal mania.
The first performative part in a game of chance and endurance as actor Tam Dean Burn constantly broadcasts for 24hrs.
Quasi-theatrical multiple-projector pieces play with the relationship between performers, art and audiences.
Stripping back the domesticated ‘meaning’ of (everyday, mundane, kitchen) tools to reveal “a lexicon of rage and frustration.” Plus an allegorical use of mundane, everyday things as an examination of how meaning is constructed in film.
Screening of films by Duvet Brothers, David Critchley, David Hall, John Latham, Judith Goddard, Mike Leggett, Tony Sinden
Imagery, drawn from what seems like hundreds of different films is overlaid and combined in a promissory rainbow of new meanings and impossible scenarios, with the unsettling feel of daylight shadows.
A somehow hyper-modern, ancient and folkloric lip-synced, made-up, fashioned performance.
Lo-fidelity sheets of parinirvanic mangled tone get driven into oblivion by two longstanding gurus of the Northern England primitivist noise.
Solo organ performance by German composer Eva-Maria Houben, which focuses on ‘nearly nothing’ to expand the way we listen.
An extravagant debauch of plush toys and ritual. Palestine performed a version of Strumming Music, a trance inducing investigation into overtone systems achievable on a Bosendorfer Imperial Piano.
An audio report for the NATOarts board of directors that seeks to promote global security and stability through the exhibition of works of conceptual art.