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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Sachiko M & Ami Yoshida performing at INSTAL 03
23 November 2003
The Arches

Cosmos

Ami Yoshida Sachiko M

Sachiko M and Ami Yoshida, two of the most prominent members of the Onkyo movement, place much more emphasis on sound texture than on musical structure, distilling elements of techno, noise, and electronic music into a unique hybrid.

INSTAL 03
John Butcher and Michael Moser playing saxophone and cello at MLFC 07
12 May 2007
The Sage Gateshead

Polwechsel

Burkhard Beins John Butcher Martin Brandlmayr Michael Moser Werner Dafeldecker

With a signature spartan sound and long term preoccupation in structural tactics (subtle shifts in density, drawn out stasis) Polwechsel blur the boundaries between individual instruments.

Music Lover’s Field Companion 07
Amelia is framed to the right of the picture smiling. They are wearing a sky blue tie dye shirt and brown cap. They are pictured in Abiquiu, New Mexico, by the Chama River, surrounded by cholla cacti blooming bright pink flowers with a mountainous landscape behind.
21 June 2023

Meditations in a Chronic Emergency

Amelia Bande

With lo-fi dreams and high-def humor, Bande brings MC vibes to the day. Interluding music with spoken performance, the live extimacy of Bande’s presence reaches out via emo-techno-bridges.

I wanna be with you everywhere 2023
Image with the words: Philip Jeck
9 December 2001
The Arches

Philip Jeck

Philip Jeck

Philip Jeck creates slowly evolving symphonies that are as much about the crackling hiss of old vinyl as the actual ‘musical’ material.

INSTAL 01
Silhouette of a person in front of a blue background overlaid with blurry light
24 November 2019
Tramway

Something Said

Jay Bernard

Haunted by the archive of the New Cross Fire, Jay Bernard presents a film and poetry reading that undertakes a queer exploration of black British history, reconstructed from archives and apparent debris.

Episode 10: A Means Without End
A circle of chairs in a room
24 February 2010

Investigation – Loïc Blairon & Marc Baron

Loïc Blairon Marc Baron

Loïc and Marc are proposing a series of investigations into the tension between improvisation and recording and how it can be used to engage with different spaces and environments around Dundee

Kill Your Timid Notion 10
Paul Sharits' Shutter Interface projected on a wall: three bands of colour
13 April 2007
DCA

Shutter Interface

Paul Sharits

Paul Sharits’ Shutter Interface is a multi screen installation born of an intent to reveal the material substance of cinema in its purest form: spatially.

Kill Your Timid Notion 07
Daniel Carter plays a saxophone and William Parker plays a bamboo flute
20 April 2013
Tramway

Daniel Carter & William Parker

Daniel Carter William Parker

What might Carter and Parker’s collaboration tell us about our own performances of responsibility and liberty, whether individual, social or musical?

Episode 4: Freedom is a Constant Struggle
A video still of several folks pulling dance moves in front of an orange wall
28 February 2010
DCA

Film Programme 4: Substitution

Various Artists

Acting at the minimum. Each film here substitutes one small thing for another, (ironically) transforming received meanings by the simplest of actions; often kind of funny too.

Kill Your Timid Notion 10
A drawing of a circular shape made in graphic pencil
5 February 2012
Glasgow University Chapel

Concert 1: Organ Solo

Jean-Luc Guionnet

Each organ is unique. The project is to find out what makes it unique.

Investigation: Jean-Luc Guionnet
Nate is shown from the waist up, leaning against a fence, wearing a navy t-shirt
24 November 2019
Tramway

Nathaniel Mackey

Nathaniel Mackey

“Mackey composes realist-mythic layering of lyrical prose unlike anything being written today.” — New York Times. “Our greatest living epic poet…Mackey’s poetry and criticism have reinvented modernism for our time.”— LitHub

Episode 10: A Means Without End
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