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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A screen showing two people holding a Sotherbys Bad for Art banner
3 May 2012
Whitney Museum of American Art

The Indivisible or Inadmissable Committee

When one calls a strike, who hears the call, who attunes and listens to it? How to listen to the call of a strike? What prevents one from hearing this call or stops one from listening to it?

A survey is a process of listening
Three folks sit around a table looking at Sonia Sanchez as she gesticulates
20 April 2013
Tramway

The Experiment: Pt. 1

Amiri Baraka Fred Moten Wadada Leo Smith Sonia Sanchez

What happens when you are engaged in a deep and extended artistic practice that intersects between literature and music, notation and improvisation, sight and sound?

Episode 4: Freedom is a Constant Struggle
Arika_Episode8_RefusePowersGraspClub-6
21 October 2016
The Art School

Refuse Powers’ Grasp – Club

boychild Elysia Crampton Juliana Huxtable Joe Heffernan

All ticket income goes directly to We Will Rise – a group of migrants, refugees, asylum seekers and their allies who have come together to End Immigration Detention in the UK.

Episode 8: Refuse Powers’ Grasp
Vajra : Kan Mikami & Keiji Haino on stage at INSTAL 04
17 October 2004
The Arches

Vajra

Kan Mikami Keiji Haino Toshiaki Ishizuka

Vajra are a Japanese psychedelic rock supergroup, hewn from the collective consciousness of Fushitsusha’s Keiji Haino, folk radical Kan Mikami and percussionist Toshiaki Ishitsuka.

INSTAL 04
21 June 2023

Open Stage/ Screen/ Mic

Our Zooms are unmuted, our mics are open, and our hearts and bodyminds are receptive. We give the floor online and in person to you…

I wanna be with you everywhere 2023
A sequence of stills of a lady getting out of a car
22 January 2012
CCA

Data as Documentary: Graham Harwood

Graham Harwood

Databases carry the same seeds of creativity that early documentary makers saw in film. Both can empower people by helping them to master information, both can be claimed to represent some kind of reality or truth.

Episode 1: A Film is a Statement
From a flat roof top, a pigeon flys to the right. on the roof are metal canisters weighted with brick, metal poles and frames and wires. In the distance we see the blurred outline of a city located in a dry desert like landscape.
17 November 2024
Tramway Live Stream

Toward Nakba as a Planetary Process

Anti-Denialist Museum of Palestine Ayreen Anastas Rene Gabri Houria Bouteldja Avery F. Gordon Amirah Silmi Françoise Vergès Additional Contributors

An assembly to try and provide some experiential and theoretical resources for the renewal of a certain affective, extra-political sociality, in the face of one of our great adversaries; the forces of colonial, imperial, genocidal denial.

Episode 11: To End the World As We Know It
yellow pink and white circular form on right of image against black background
29 November – 7 December 2008
BFI IMAX BFI Southbank ICA Spike Island Arnolfini CCA

Kill Your Timid Notion on Tour

In 2008 we toured our Kill Your Timid Notion festival of experimental sound and image to London, Bristol and Glasgow, bringing audiences a taste of the previous 5 festival editions.

Eli Clare standing on a stage, arms outstretched
14 April 2019
Performance Space New York

Eli Clare

Eli Clare

Poems are kisses, fists, and underground rivers. For all these reasons and many more, I am a poet.

I wanna be with you everywhere
People playing instruments, some of them on the floor
15 October 2005
The Arches

Directing Hand

Directing Hand

A life force of ecstatic clarity capable of loquacious bursts of affirmation.

INSTAL 05
Publication, Nov 2024

IN OUR LIFETIME – A New Anti-Imperialist Resource

Hussein Mitha

IN OUR LIFETIME, is an anti-imperialist resource, edited by Hussein Mitha, produced by Arika for Episode 11, featuring poetry, essays, questions, prompts, letters and works of anti-colonial imaginary.

Episode 11: To End the World As We Know It
Colorful leather bound books line a wooden shelf, with writing on their spine in Arabic, one booklet entitled “3 Scores and The People’s Mic Khutba” in Urdu, is slipping into the company of the books or out into the hands of a seeker.
14 November 2024
Tramway Live Stream

Bring a Witness

Sadia Shirazi Mezna Qato

Sadia Shirazi & Mezna Qato will discuss a series of scores that explore the texture and landscape of exile, resistance, and Muslim sociality. These instructional scores trouble the idea that art and activism are untouched by faith and faith is untouched by art and activism.

Episode 11: To End the World As We Know It
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