Vorticity in the Eternal Hum
Alexander Moll Jackie Wang
What’s the relationship between the eternal hum of the oceanic beloved and the persistence of vorticity in fluid dynamics? And how does Alice Coltrane’s harp help us stay there?
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
What’s the relationship between the eternal hum of the oceanic beloved and the persistence of vorticity in fluid dynamics? And how does Alice Coltrane’s harp help us stay there?
Dworkin asks: What would a non-expressive poetry look like? A poetry of intellect rather than emotion?
This mini, late-night ball will include categories inspired by the events earlier in the weekend.
What would a world and an ethics look like free from the destructive consequences of the Western mind?
How does this practice, that simultaneously resists and honours the distinctions between these genres, materials and senses, determine the inhabitation of another: a convergence of aesthetic and social experimentation?
Location: between: the abandoned site of Parker House (ex-council office building) that became a student accommodation regeneration project, off the Dudhope roundabout; Bell Street Car Park entrance ramp and; the awkward (and otherwise used/ used otherwise) space left over between the back of Tesco’s and DW Sports on the Murraygate.
Exploring the interplay between punk sinewave aggression, high-speed video sequences and stroboscopic lighting
Personal Spaces: inversion of a territorial bell, confusing the realms between rehearsal and performance, public and private space.
“I am truly without faith. In a media marketplace that demands soulness, I can only offer soulnessless.”
A Study Session focused on the thinking of Ailton Krenak – one of the great leaders of the Brazilian indigenous movement – led by curators and artists Amilcar Packer Arissana Pataxó.
Tiny fragments of sound recombined and woven into spare and precise, violent yet beautiful pieces
Renouncing the bind of the written word, Chopin’s sound poetry is a magical evocation of the pure powers of the voices, stripped bare of language.