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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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26 – 27 March 2022
CCA Annex (Online)

A Breath to Follow | Um sopro a se seguir

2 days of online discussions and artists presentations exploring the cosmological, decolonial, sensorial practises of Black and Indigenous grass roots art, dance and music collectives in Brazil.

Dois dias de discussões e apresentações online de artistes explorando as práticas cosmológicas, decoloniais e sensoriais de coletivoas de arte, dança e música de base negra e indígena no Brasil.

theeyeandtheear
15 April 2007
DCA

Film Programme 6: Contrast

Various Artists Guy Sherwin

Includes: tamed TV snow, video feedback of racing particles, a remake of a polish photogram film destroyed in WWII, a visual and aural representation of Gestalt theory, hole-punched film and Guy Sherwin’s Cycles 3 double-projection.

Kill Your Timid Notion 07
Eli Clare standing on a stage, arms outstretched
14 April 2019
Performance Space New York

Eli Clare

Eli Clare

Poems are kisses, fists, and underground rivers. For all these reasons and many more, I am a poet.

I wanna be with you everywhere
Tens of strips of 16mm film, visible are hundreds of frames, black or white
12 December 2004
DCA

Film Programme 5: Form

Thomas Köner Tony Conrad Various Artists alva.noto

Reveling in the geometric, mathematical and perceptual relationship between sound and form, this programme features a landmark work of experimental film in Kubelka’s Arnulf Rainer; a complex, enduring and expressive of structuralist or flicker films.

Kill Your Timid Notion 04
A shadow crouches on the floor amongst mic stands and boxes, one light source
28 February 2010
DCA

Taku Unami

Taku Unami

Taku’s actions strip back musical performance to one of its original proposals: what is an action and how does it create a situation for spending time together, for paying attention?

Kill Your Timid Notion 10
Howard Slater is in conversation at a table with Barry Esson in a black room
21 April 2013
Tramway

Listener as Operator

Howard Slater

Our favourite Lancashire-born autodictact asks what’s political about the tension between the individual and the collective in free jazz.

Episode 4: Freedom is a Constant Struggle
Fred Moten in a black and red shirt prepares for a discussion
21 April 2013
Tramway

Fred Moten – Chat

Fred Moten

In many ways, this Episode is our attempt to engage with Fred’s incredible writing: with his proposal that all black performance (culture, politics, sexuality, identity, and blackness itself) is improvisation.

Episode 4: Freedom is a Constant Struggle
Still from animated film ‘shit’s totally fucked! What can we do? A mutual aid explainer’ – text and illustrations on paper and wood, that spells out “something really important about all this is that Mutual Aid is not Charity”
9 March 2022

Mutual Aid on the Road to Abolition

Dean Spade Abolitionist Futures

How do we make the connections between the mutual aid practices of our daily lives and anti-capitalist efforts to dismantle wider systems of exploitation?

Mutual Aid
NEVE sits, gesturing, on a leather covered chair, head raised
11 April 2019
Performance Space New York

Lover of Low Creatures

NEVE

A sung-through Nubian musical ballet. A darkly humorous take on sexual trauma and what magical and ancestral tools might heal it.

I wanna be with you everywhere
A series of large dimly lit light bulbs hanging in a room
12 April 2007
DCA

Beyond 6281

ARTIFICIEL

Audio signals pass through light bulbs, causing the filaments of the bulbs to sing and crackle in a chorus of electronic static.

Kill Your Timid Notion 07
iwbwye_cyree_mengwencao-011
14 April 2019
Performance Space New York

Cyrée Jarelle Johnson

Cyrée Jarelle Johnson

Poetry of raw fearless truth and the realest crip insight fully embedded in absolute lyrical lounge.

I wanna be with you everywhere
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