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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Amiri Baraka reads poetry at a mic and Henry Grimes plays a double bass bass
21 April 2013
Tramway

WordMusic

Amiri Baraka Henry Grimes

A dialogical meeting of Baraka’s radical poetry and Grimes’ free jazz syncopation.

Episode 4: Freedom is a Constant Struggle
Robert Softley Gale working at a computer next to a bath robe
18 November 2017
Tramway

Discourse or Intercourse: One on One

Robert Softley Gale

Ten short intimate one-on-one conversations with Robert Softley Gale – We all want to see ourselves reflected in the world around us—in society, in art, in culture… in porn?

Episode 9: Other Worlds Already Exist
arika_ep6_IMG_5024
26 September 2014
Stereo

Make a Way Out of No Way: Club

Kia Labeija MikeQ Miss Prissy Pony Zion

Is it possible to dance our way out of the hardened stances and identity prisons we are locked in?

Episode 6: Make a Way Out of No Way
a man in green clothes is wrapped to a drum kit by red tape
18 October 2003
DCA

Sunburned Hand of the Man

Sunburned Hand of the Man

First live show outside the USA featuring one-off film pieces and live theatre from the ringleaders of the ‘weird new America’ psych folk explosion.

Kill Your Timid Notion 03
Ann Cvetkovich gesticulates as she stands and talks by a flipchart
26 May 2013
Tramway

An Archive of Feelings

Ann Cvetkovich

The queer archiving of traumatic cultural memory from one of the leading voices working with queer archives.

Episode 5: Hidden in Plain Sight
A blue and mauve background with black text that reads System Errors
17 August 2020
Online

System Errors: Abolitionist Technologies and Aesthetics

American Artist Danielle Brathwaite-Shirley Juliana Huxtable Legacy Russell

A panel exploring the radical potential of technologies through fugitivity and opacity: their ability to obscure, to make it impossible for us to be known, to render us untraceable by every arm of the state even under the all-consuming spectre of surveillance capital.

Revolution is not a one-time event
A microphone cable coiled on a grey floor
28 February 2010
DCA

Unstable, fragile but daring together

Emma Hedditch Howard Slater Laurie Pitt Liam Casey Mattin

Instead of the one-way monologue of normal performance, what would be the result of an actual collective dialogue? Where would it go?

Kill Your Timid Notion 10
Guitar player silhouetted against projection of a film
11 December 2004
DCA

Text of Light and Films by Stan Brakhage

Alan Licht Lee Ranaldo Stan Brakhage Tim Barnes Ulrich Krieger

As opposed to suggesting soundtrack’s to Brakhage’s works [which are almost entirely silent] Text of Light use his works to stimulate improvisation, enveloping them into the structure of the group much like an additional musician.

Kill Your Timid Notion 04
Shards of light on a black background from Sound Cuts projection
12 October 2008
DCA

Optical Sound Film Talk

Guy Sherwin

Guy Sherwin gives a kind of annotated, chat through his optical sound films

Kill Your Timid Notion 08
Taku Unami looks moodily at a computer screen darkness all around
22 March 2009
The Arches

A Signature of the Room

Jean-Luc Guionnet Taku Unami

Simple maths and stringent scored instructions move precise frequencies and clicks to create a dense, fluctuating environment of standing waves and physical sound.

INSTAL 09
a hand places a sweet into the mount of a glamorously made up woman
28 February 2010
DCA

Film Programme 7: Duplication

Various Artists

Nothing if not repetitive, film is founded on the incremental succession of minute difference. But how does repetition of the same play out, and is it a tool to comment on the standardising repetition of the mass media?

Kill Your Timid Notion 10
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