Sandra Gibson, Luis Recoder & Daniel Menche
Luis Recoder Sandra Gibson Daniel Menche
A collaborative performance where sound and image are created, performed and mediated by light, water and glass.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
A collaborative performance where sound and image are created, performed and mediated by light, water and glass.
Jarrod Fowler creates a social space where layered one-to-one live encounters with the audience become sonic material.
Heat-mapped bodies, found porn films, Korean psyche-folk, creepy police intrusion and self-defence.
This programme is a celebration of Charlemagne Palestine; passionate, extravagant, visceral. Including two sections from Ritual dans le Vide, an extension of his ‘running camera’ works of the 70’s and Pip Chodorov’s vibrant workout of a live version of Strumming Music.
Trio vocal performance of a score by Achim Wollscheid with Aileen Campbell, Junko and Dylan Nyoukis.
A crash-course in pre-figurative, radical, queer, anti-racist, anti-police, anti-prison, anti-deportation abolitionist politics and trans-resistance.
Voguing, drag, clubbing, and the politics of communities making different performances of gender and sexuality visible.
Guy Sherwin gives a kind of annotated, chat through his optical sound films
How do grassroots feminist organisations strategise relationships between mothers, parents, carers and their children based on respect and empowerment, in resistance to the practice of putting children in often the most uncaring of places – care.
Akio Suzuki and John Butcher performing in an old underground reservoir in Fife.
Politicised fan-fiction chronicling working class gay urban space and fantasy.
Somewhere between performance, stripped down theatre and an intense kind of public learning or maybe even a public hearing.