
Oshiri Penpenz
Oshiri Penpenz
No Wave, damaged garage jams and crazed instant vocal shrieks.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
No Wave, damaged garage jams and crazed instant vocal shrieks.
Merzbow takes the junk of sound and transforms it into blistering noise assaults with an incredible spectrum and impact.
Bruno’s liberated improvisational approach stretches beyond the lyrical, tough as nails rhythmic bursts and expressive, swinging attack of his drumming.
What is happening when systems of repression try to grasp communities’ ways of being, living or surviving, applying laws of sexuality, gender or race to cast them as criminal?
A festival hewn from passions for experimental music, film and visual art and for a passion in figuring out how they can relate to, cross-fertilise and inspire and each other.
Somewhere between performance, stripped down theatre and an intense kind of public learning or maybe even a public hearing.
Poetry of raw fearless truth and the realest crip insight fully embedded in absolute lyrical lounge.
In Our Hands is a nine week programme of workshops exploring radical approaches to health and collective care in the movement for liberation and social justice.
A voice that can vault from an elegantly whispered insinuation to asphyxiated and murderous barks or squalls in a heartbeat.
A short chat about what we (Arika) might be trying to do with our program for the Biennial.
Open community meeting to discuss some of the prevalent concerns impacting the ballroom community.
If life is assaulted by power, where do we find spaces for living? A conversation with Peter Pál Pelbart.