Sachiko
Wordless, reverb drenched voice, ghosted electronics, seething and ferocious electronic damage and Patty Waters style vocal mania.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Wordless, reverb drenched voice, ghosted electronics, seething and ferocious electronic damage and Patty Waters style vocal mania.
What does it mean to listen with the mind as well as the ears? A solo performance from the great avant-garde pianist.
Thinking against the monoculturalism of Western thought—of faith, affection, sexuality and gender—which completely lacks any utility to, or descriptive value of Indigenous worldviews.
A performance for dry ice and four specially constructed steel tables, each one heated by a single candle until searingly hot.
A kind of performed installation of searing noise and silence, where we’re not sure who the performer is, when it starts or ends or even who it’s for.
Multiple images, glimpses of old films, abstract images in the midst of an electro-acoustic sound field of tape loops & analogue synthesizers
Take a break and/ or hang in an Open Meet Up in IRL and URL
A queer black operatic requiem for piano and voice that asks us to stay in the hold of the slave ship, that tries to understand the connection from the slave ship to the prison.
The queer archiving of traumatic cultural memory from one of the leading voices working with queer archives.
Improvising violinist Angharad Davies performing with pianists Tisha Mukarji and Andrea Neumann.
A movement-based workshop on Krump and the politics of how we teach, learn and listen with our bodies. Move with us!
Conceptual choreography as critique, in Ligia’s film of Caribbean plots and scandals, and the possibilities of anti-colonial revenge, rest and repair.