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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A layers image of several frames from a video by R. Kelly
28 February 2010
DCA

Film Programme 5: Catalogues

Various Artists

Are artists powerless in the face of technology? These often whimsical and amusing films are minimal technological interventions and appropriations but maybe also rigorous takes on the role of popular media and culture in our hyper-technological world.

Kill Your Timid Notion 10
The Bohman Brothers on stage at INSTAL 06 surrounded by objects and microphones
14 October 2006
The Arches

The Bohman Brothers

The Bohman Brothers

Quintessentially British, The Bohman Brothers’ music is a home-made and DIY conflux of some of the most virulent strains of experimental music.

INSTAL 06
A flowering bush next to a fence in front of a clear blue sky
11 December 2004
DCA

Film Programme 3: Place

Various Artists Benedict Drew

Each of these films addresses place, landscape or location and the personal reaction to their magical or concrete properties. Watch out for Kren’s structural, throbbing investigation of a forest and Baillie’s intimate and humble essay on a blind guitarist and the relationship between songs of Mexican revolutionaries and the people and places they looked to inspire.

Kill Your Timid Notion 04
Peach and pink gradient with black text: Revolution is not a one-time event
3 – 24 August 2020
Online

Revolution is not a one-time event

Join activists, academics and artists as they reflect on abolitionist praxis and thought, exploring covergences with gender, poetry, technology, performance, speculation, aesthetics, film and culture. This series of events commemorates Black August and is for anyone who wishes to answer the abolitionist call to action and thought.

Portrait of Geni Núñez smiling wearing a red robe with a red orange wall behind.
14 November 2024
Tramway Live Stream

Against a monoculture of thought

Geni Núñez Amilcar Packer

Thinking against the monoculturalism of Western thought—of faith, affection, sexuality and gender—which completely lacks any utility to, or descriptive value of Indigenous worldviews.

Episode 11: To End the World As We Know It
Samuel R. Delany white hair and beard reading on stage at EPISODE 9
19 November 2017
Tramway

Beyond Transgression

Samuel R. Delany

Chip will read some of his great literary pornography, which pushes sexuality to the point of extremity and exhaustion.

Episode 9: Other Worlds Already Exist
Working on Transfeminism
Residency, May–July 2021

Trans Femme Futures

Mijke van der Drift Nat Raha

Nat Raha and Mijke van der Drift undertake two intensive writing residencies at Scottish Sculpture Workshop in Lumsden and Hospitalfield in Arbroath.

Fernando stands gestures with one arm out, the other hand rests in the crook
22 November 2019
Tramway

Workshop on Gestural Maths

Fernando Zalamea

Fernando thinks that when maths is deep, it should be simple and able to be explained by hand gestures. By embodying ideas, we’re able to more clearly think about their cultural implications.

Episode 10: A Means Without End
A packing case with the word ALIVE painted on it sits on stage
16 October 2004
The Arches

Baby Dee

Baby Dee

Former street performer, organist, performance artist, circus performer, harpist, accordion player, tree surgeon and tricyclist performing solo.

INSTAL 04
A small room with a table with white paper on it and several green chairs
6 May 2012
Whitney Museum of American Art

What is the Sound of Freedom?

Ultra-red

For day five of Ultra-red’s project, the investigation will review the previous work undertaken together, and perhaps draw up a summary of reflections and pose some future questions.

A survey is a process of listening
A film frames has the words "Scene Missing" displayed
25 February 2010
DCA

Standard Gauge & ()

Morgan Fisher

A double bill of Morgan Fisher films that ask what can be achieved by a simple structural method of commenting on scraps of 35mm film, re-shot on 16mm film and what happens to meaning (if anything) when ‘insert shots’ are relieved of their original duty of providing crucial plot development for a variety of other movies?

Kill Your Timid Notion 10
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