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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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All Archive (704)

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Arika_Whitney_ASIAPOL_BrandonLaBelle-16
2 May 2012
Whitney Museum of American Art

Temporary outpost for an auditory figure

Brandon LaBelle

A temporary archive and research space tracing the ways in which sound and audition move through everyday life.

A survey is a process of listening
An audience seated and wearing eye masks
12 October 2008
DCA

Live Immersive Performance

A Performance exploring the nature of acousmatic listening; sound removed from visual context and understood for it’s own properties.

Kill Your Timid Notion 08
Seated people chat near microphones
26 February 2010

SpeedDataRadio

Resonance Radio Orchestra

A changing pool of people (40 or so at a time – artists, audiences, etc) talk for 90 minutes in a simultaneous series of open-ended round-table discussions, structured like speed dating, and mixed live as both a concert and for radio broadcast.

Kill Your Timid Notion 10
Fernando stands gestures with one arm out, the other hand rests in the crook
22 November 2019
Tramway

Workshop on Gestural Maths

Fernando Zalamea

Fernando thinks that when maths is deep, it should be simple and able to be explained by hand gestures. By embodying ideas, we’re able to more clearly think about their cultural implications.

Episode 10: A Means Without End
Four People sitting in a row, one in red hair talking
20 April 2017
Strathclyde Uni

Supporting Sex Workers

Catriona O’Brien Chamindra Weerawardhana Gracie Mae Bradley Juno Mac Laura Watson Luca Stevenson Nadine Stott Paulina Nicol Sabrina Sánchez Thierry Schaffauser

Three panels offering opportunities to discuss how to build stronger alliances between the sex workers’ rights, migrants rights and reproductive justice movements and how to face, together, an increasingly punitive and reactionary system.

Sex Workers’ Festival of Resistance
14 October 2006
The Arches

Infest – Polly Shang Kuan Band

Polly Shang Kuan Band

Ever changing coven of feedback worshipping witches led by Blood Stereo/ Smack Music 7 shrieker Karen Constance spit audio hexes through yr skulls.

INSTAL 06
A projector running in a dark room
26 February 2010

Sea Oak

Emily Wardill

A film installation as both allegory and investigation of The Rockridge Institute and their research into ‘framing’ and the use of metaphor within political discourse.

Kill Your Timid Notion 10
13 October 2006
The Arches

Infest – Jazzfinger

Jazzfinger

Lo-fidelity sheets of parinirvanic mangled tone get driven into oblivion by two longstanding gurus of the Northern England primitivist noise.

INSTAL 06
Steffen Basho-Junghans backstage standing by a wall
17 October 2004
The Arches

Steffen Basho-Junghans

Steffen Basho-Junghans

Repetitive, mesmerizing rhythmic workouts, to pieces of stark and rigorous introspection, where notes picked and slid in isolation, scatter like mercury around the listener.

INSTAL 04
Octante & Margarita Garcia standing in a group smiling
13 May 2007
The Sage Gateshead

Octante

Alfredo Costa Monteiro Ferran Fages Margarida Garcia Ruth Barberán

Acoustic turntable, engines, trumpet and accordion joined by Bassist Magarida Garcia: build long-form quietly detailed pieces that clatter and rumble, that expand and contract with the tension and release of deeply held breath.

Music Lover’s Field Companion 07
The high domed ceiling of Hamilton Mausoleum seen from below
29 June 2006
Hamilton Mausoleum

Hamilton Mausoleum

Akio Suzuki Chris Corsano John Butcher

Chris Corsano, Akio Suzuki and John Butcher performing in the Hamilton Mausoleum, Hamilton.

Resonant Spaces
Dancer dressed in white, reaching, stretching back, legs and arms outstretched
13 April 2019
Performance Space New York

Nearly Sighted/unearthing the dark

Kayla Hamilton

Beyond time, colorlines, ability, and sexuality, a movement exploration into what it means to see and be seen, how hearing contrast with what is actually being heard.

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