Iain Campbell
Iain Campbell F-W
A series of three short performed situations and statements to be examined or judged from the most interesting young musician in Glasgow (we think).
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A series of three short performed situations and statements to be examined or judged from the most interesting young musician in Glasgow (we think).
Noise music for the eyes. A 6 screen 16mm projection performance of intense audio and visual stimulus.
A 100 strong Feral Choir of people who’ve never improvised with their voices before, conducted by composer Phil Minton.
These simple, one-take videos, relate personal experiences to the current conflicts in the Middle East via the most basic of means (a hotel room, a camcorder, John’s personal thoughts, concerns and convictions).
Sonic ‘observations’ of the world, through micro recordings on a tiny scale and transformed into something musically compelling.
An contradictory guitarist, he’s equally at home in slow, halting acoustic improvisation or piercing minimal examinations of electric guitar.
A performance for dry ice and four specially constructed steel tables, each one heated by a single candle until searingly hot.
How do people both inside and outside of prison work together to dismantle the criminal justice system and build a society based on collective care?
An assembly to try and provide some experiential and theoretical resources for the renewal of a certain affective, extra-political sociality, in the face of one of our great adversaries; the forces of colonial, imperial, genocidal denial.
Nothing if not repetitive, film is founded on the incremental succession of minute difference. But how does repetition of the same play out, and is it a tool to comment on the standardising repetition of the mass media?
Can our favourite Vegas-born poet of prophetic blackness and a South Central transmuter of social rage into beauty feel through each other?
The role of feelings in public life, (political) depression and creative survival.