Kill Your Timid Notion 07
Investigating the border between the audible and the visible means looking at the margins, the edges of creativity where artists test out new boundaries and define them anew.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Investigating the border between the audible and the visible means looking at the margins, the edges of creativity where artists test out new boundaries and define them anew.
Looking at and listening to different ideas about sound and music, INSTAL 09’s collection of artists included Tetsuo Kogawa, vocalist Joan La Barbara, Phil Minton (and his Century FC feral choir), Austrian Actionist Hermann Nitsch, Steve McCaffery and many more.
A simple hands on workshop with micro-radio theorist and pioneer Kogawa.
A life force of ecstatic clarity capable of loquacious bursts of affirmation.
Three short performances involving social exchange (jumpers, hats, glasses…) and singing (ballads)
Vanessa Place talks at The Friday Event series at the Glasgow School of Art about her practice as a writer.
Ray and Thomas talking about how cognitive neuroscience is unlocking the physical basis of personal experience.
Work that focuses in on the static hiss and background noise of recording and pushes it to the fore.
There exist places in our towns and cities that are created not by design, but by circumstance. Shadowed Spaces was a tour of overlooked, bypassed and unconsidered nooks and crannies with 3 musicians.
Blood Stereo & Ludo Mich: linking past and present generations of DIY intuitive expression in a post fluxus ‘big mess’.
Artist Derek Lodge running a specially designed social space, somewhere for conversation, story-telling and interaction.
A rare live performance which, although not a full installation, made use of the unique acoustic and spatial properties of the Arches to rattle the audience and help it locate its third ear.