Fennesz
Fennesz
Austrian guitarist who specialises in a warm digital deconstruction of guitar noise
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Austrian guitarist who specialises in a warm digital deconstruction of guitar noise
Quasi-theatrical multiple-projector pieces play with the relationship between performers, art and audiences.
An LSD trip gone right via dense explorations of post-Fahey steel and low level drone.
Real-time video feedback loops submerged in laminal sheets of sound soaked in gauzy timbral detail and multi-valenced, buzzing overtones.
Killer of Sheep is an undisputed masterpiece of African-American filmmaking and one of the most poetic, perceptive dramas ever made about family and community.
Chip will read some of his great literary pornography, which pushes sexuality to the point of extremity and exhaustion.
The mutability of the body and the mobility of identity: queered pop culture, drag, lip-sync and performance.
This mini, late-night ball will include categories inspired by the events earlier in the weekend.
Tiny fragments of sound recombined and woven into spare and precise, violent yet beautiful pieces
How do you know what you want? Should freedom be doing what you ought, not doing what you want? How might a philosopher and artist turn this thinking into an enabling condition in the context of noise and improvisation?
Inhabiting a different kind of energy, Ueinzz’s open rehearsals reveal a glimpse into their ongoing daily theatrical modes of caring – multiplying the ways in which their plays are meant to be felt, rather than understood.
Glasgow. Free-playing quartet of bass/ cello/ voice from The Glasgow Improvisors Orchestra and Age Of Wire & String.