Episode 4: Freedom is a Constant Struggle
Do art forms like black radical poetry, free jazz and improvisation create a space for the performance of freedom? Did they ever? And can they still do so now?
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Do art forms like black radical poetry, free jazz and improvisation create a space for the performance of freedom? Did they ever? And can they still do so now?
Live ISDN drone performance resonating between Dundee and an empty Montreal Grain Silo.
Wordless, reverb drenched voice, ghosted electronics, seething and ferocious electronic damage and Patty Waters style vocal mania.
This mini, late-night ball will include categories inspired by the events earlier in the weekend.
A dance party love letter to our community, expressing the joy of relation in the abstract and through actual physical proximity.
A film performance about Guy then, and Guy now, as a metaphor for the passing of time, which of course all film is inherently about.
A rare live performance which, although not a full installation, made use of the unique acoustic and spatial properties of the Arches to rattle the audience and help it locate its third ear.
A celebration of the release of four books written by members of, and focused on about the House and Ballroom scene.
A double bill. A simple first person, Dundee-specific tracking shot that approaches the cinema/ screen/ space the film will eventually be shown in and in Brazilian opera house, a fixed camera gazes at a local audience from the stage: a choir, hidden in the orchestra pit, sings and gradually fades to silence.
Each organ is unique. The project is to find out what makes it unique.
Can we find ideas of queer anarchism, failure and low theory in popular culture?
Laser beam sine tones used to draw delicate, abstract patterns by vibrating charcoal, placed atop of a great strip of paper running through the gallery; beautiful, fragile sound-created autonomous drawing.