Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Location: Around and about the old public library in Easterhouse; disinvested in and left to rot by the council but which was shamelessly, hastily and superficially cleaned by them in expectation of our event.
Can a collective performance of NourbeSe’s poem of black life as it exceeds containment enact alternative forms of selfhood that emerge in and out of African diasporic experience?
A temporary archive and research space tracing the ways in which sound and audition move through everyday life.
How do communities practice being one another’s means, addressing their material problems facing them replicating the state’s violent logic of who is disposable.
TEST is a collective creative improvising quartet based out of the NYC Underground (figuratively and literally). Their street-hardened, spatial Jazz is riotous and intense: is also makes us think about collective organization, and different ideas of responsibility and liberty.
US percussionist, poet, sound artist and instrument maker performing on self-made instruments constructed from industrial materials such as stainless steel, titanium, PVC plastics and various kinds of pipe.
A festival asking how ideas of nihilism, darkness, subjectivity and abjection play out in experimental music, performance art, horror, neuroscience and philosophy?
A simple hands on workshop with micro-radio theorist and pioneer Kogawa.
Guitar and voice. Keening, droning and mourning. Be ready to release and bring your dis-ease.
A carefully thought out, simple but rich performance using just a turntable, teach yourself foreign language LP’s, the impeccable timing of a percussionist, and an idea.
Live ISDN drone performance resonating between Dundee and an empty Montreal Grain Silo.
Formed as a means to realise William Bennett’s goal of “a sound that could bludgeon an audience into submission”
