Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Relative patterns of occlusion and exposure occupy two screens. Each exposure fires a stroboscopic flash of colour: yellow for one screen; blue for the other, filling the centre of both screens with colour, haloed with after-images.
How do people living with disability see themselves in today’s sexualised culture? How do we imagine our crip sexual selves despite society wanting to reduce us to non-erotic bodies?
Ten short intimate one-on-one conversations with Robert Softley Gale – We all want to see ourselves reflected in the world around us—in society, in art, in culture… in porn?
Work that focuses in on the static hiss and background noise of recording and pushes it to the fore.
A black hole of dense heaviosity, full of slow motion riffage, tectonic pummel and massive planet destroying rock.
How black radical practices of abolition imagine a way out of the caging and mass killing of life.
When one calls a strike, who hears the call, who attunes and listens to it? How to listen to the call of a strike? What prevents one from hearing this call or stops one from listening to it?
Discussion: If we approach “care as an event” rather than as a “contract of exchange” then what becomes possible in how we know, care for, and appreciate each other?
The worlds leading radio art station brings you: a performance, a radio show, an installation, an endurance test.
Killer of Sheep is an undisputed masterpiece of African-American filmmaking and one of the most poetic, perceptive dramas ever made about family and community.
How can we imagine bodies not as an end in themselves, but as a medium through which we can become one another’s means?
Sparse and miniature free thought workouts involving guitar, vocals and tuba.
