The Strangeness of Dub
Dhanveer Brar Edward George
Dub is strange. A conversation with Edward George and Dhanveer Brar.
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Dub is strange. A conversation with Edward George and Dhanveer Brar.
Setting up a minimal procedure to explore the interaction between a person and the (documentary) film/ video process. What initially seems simple ends up contrarily distanced and intimate, public and private.
Why won’t the idea of the particle or individual go away? Is the measurement problem in physics a documentary film issue? What can a human be without its crutches of life-time and measure?
Jarringly beautiful and often maniacal expression of hallucinatory and very personal visions.
An extravagant debauch of huge pianos, plush toys, cognac and ritual.
Trans-temporal drag, sexuality and the re-staging of illegible moments in history.
A talk entitled ‘The Conquest of the Universe’: which delves into the connections between the underground filmmakers and musicians in New York in the early 1960s
An occasion for commotion, and a chorus of motions. Choreography rotating your revolutions and then some.
A sung-through Nubian musical ballet. A darkly humorous take on sexual trauma and what magical and ancestral tools might heal it.
Thirty lucky Instal punters experience Kylie’s pre-match aggro workout one-on-one in the darkness of an Arches dressing room.
This set continues on from the Bud Neill inspired clatter using the contents of the Usurper twin’s pockets.
Nikos played every note that it’s possible to play on the cello, all played back as a one hour drone, while the cello was turned to powder and bottled.