
Translation
Jarrod Fowler
Jarrod Fowler creates a social space where layered one-to-one live encounters with the audience become sonic material.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Jarrod Fowler creates a social space where layered one-to-one live encounters with the audience become sonic material.
Using violin and cello the duo map out a twilight sonic world that seems to tread the faultlines between improvisation and composition.
Equal parts spectacle, installation and performance, his set for us is a specially developed work, ‘turning’, which features an orchestra of multiple turntables, 4 projections and a collection of old, and, quite probably, misfiring analogue kit.
A Performance exploring the nature of acousmatic listening; sound removed from visual context and understood for it’s own properties.
Work for cello, percussion, contra bassoon and cherbulum commissioned for Instal in collaboration with Paragon
A dialogical meeting of Baraka’s radical poetry and Grimes’ free jazz syncopation.
One of the most revered and legendary underground acts of the past 20+ years, Current 93 is the constantly evolving creation of David Tibet.
A performed filmic conversation on queer and black world making.
Why won’t the idea of the particle or individual go away? Is the measurement problem in physics a documentary film issue? What can a human be without its crutches of life-time and measure?
An occasion for commotion, and a chorus of motions. Choreography rotating your revolutions and then some.
Quasi-theatrical multiple-projector pieces play with the relationship between performers, art and audiences.
“Mackey composes realist-mythic layering of lyrical prose unlike anything being written today.” — New York Times. “Our greatest living epic poet…Mackey’s poetry and criticism have reinvented modernism for our time.”— LitHub