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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Jandek performing on stage at Anthology Film Archives NY 05
6 September 2005
Anthology Film Archives, New York 05

Anthology Film Archives, New York 05

Alan Licht Chris Corsano Jandek Loren Mazzacane Connors MV & EE Matt Heyner

Performances at Anthology Film Archives NY by Jandek, Loren Mazzacane Connors & Alan Licht, and MV & EE.

yellow pink and white circular form on right of image against black background
29 November – 7 December 2008
BFI IMAX BFI Southbank ICA Spike Island Arnolfini CCA

Kill Your Timid Notion on Tour

In 2008 we toured our Kill Your Timid Notion festival of experimental sound and image to London, Bristol and Glasgow, bringing audiences a taste of the previous 5 festival editions.

Makoto Kawabata playing electric guitar in front of a projection
19 October 2003
DCA

The Invasion of Thunderbolt Pagoda

Acid Mothers Temple

Freak-out group for the 21st century perform a live soundtrack to Ira Cohen’s infamous psychedelic masterpiece ‘The Invasion of Thunderbolt Pagoda’

Kill Your Timid Notion 03
A sequence of stills of a lady getting out of a car
22 January 2012
CCA

Data as Documentary: Graham Harwood

Graham Harwood

Databases carry the same seeds of creativity that early documentary makers saw in film. Both can empower people by helping them to master information, both can be claimed to represent some kind of reality or truth.

Episode 1: A Film is a Statement
A drawing of a circular shape made in graphic pencil
5 February 2012
Glasgow University Chapel

Concert 1: Organ Solo

Jean-Luc Guionnet

Each organ is unique. The project is to find out what makes it unique.

Investigation: Jean-Luc Guionnet
Junko singing into a microphone against a dark background
25 February 2012
Tramway

Junko

Junko

Harrowing but musical confrontations with the very real, physical and aural trauma of a woman screaming.

Episode 2: A Special Form of Darkness
A room full of plinths with candles on top
13 April 2007
DCA

Joe Colley

Joe Colley

Joe Colley specialises in hotwired sound constructions full of ominous electronic disturbances and caustic, noxious drones. For KYTN, Joe created a situation of controlled chaos with 50 light sensitive oscillators placed in a field of candles.

Kill Your Timid Notion 07
A medium shot black & white portrait of Sonia Sanchez, head leaning on hand
21 April 2013
Tramway

Sonia Sanchez

Sonia Sanchez

A poet, playwright and activist, Sanchez emerged as a seminal figure in the 1960s Black Arts Movement, writing in the name of black culture, civil rights and women’s liberation.

Episode 4: Freedom is a Constant Struggle
A design with a yellow background featuring a bottle of Chubz poppers
19 November 2017
Tramway

Chubz

Huw Lemmey

Politicised fan-fiction chronicling working class gay urban space and fantasy.

Episode 9: Other Worlds Already Exist
A man with a torch looking at a mixing board
13 November 2010
Tramway

N30: Live at the WTO

Christopher DeLaurenti

N30 is a massive, dynamic, immersive multi-channel presentation of front-line field recordings from the protest against the WTO in Seattle

INSTAL 10
A wooden carved monkey smokes a pipe
20 March 2009

Extra Friday Set

Klaus Filip Radu Malfatti Sean Meehan Taku Unami

Quartet improvisation by Klaus Filip – laptop, Radu Malfatti – trombone, Sean Meehan – snare & cymbals, Taku Unami – rice and dish.

INSTAL 09
"Episode 11: To End the Worlds As We Know It" title superimposed in white & red text on top of a blue back ground with a dark navy circle that looks like ripped paper.
13 – 17 November 2024
Tramway Glasgow School of Art

Episode 11: To End the World As We Know It

5 days of film, music, discussion and study of our collective incompleteness—arrayed against the colonial ordering of how we come to know the world—practicing how we might exist otherwise, right here and now. Can we start to know and practice the world to come?

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