Translation
Jarrod Fowler
Jarrod Fowler creates a social space where layered one-to-one live encounters with the audience become sonic material.
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Jarrod Fowler creates a social space where layered one-to-one live encounters with the audience become sonic material.
Whether drawing their own fractured, abstract narrative, or re-contextualising, chewing up and spitting out someone else’s, each of the films here take a dramatic arc as their starting point and throw it to the wind.
Final workshop exploring work, care and class. Does the ‘care industry’ summon forth its own class? Can this ‘affective class’, in their ability to care for others, militate against the carelessness of self-interest?
Out of a dark haze, shafts of lights are picked out from the surface of film. Out of the black silence, noise, audible scratches bloom into a bright drone of broken and cracked objects.
Former street performer, organist, performance artist, circus performer, harpist, accordion player, tree surgeon and tricyclist performing solo.
A drone installation populated by flourescent strip lights working in complicity with analogue radios – “all the lights just do their thing”.
Black-clad with an ominous aura created by their distorted guitar epics, burnt-out ballads and raucous mantric jams.
Free-jazz chat with Sabir Mateen, Daniel Cater, Andrew Barker – hosted by Byron Coley.
Michael Colligan pressing white hot metal into dry ice, causing the metal to sing and scream.
Robin Hayward – exploring the micro-sounds of a tuba, filling slowly with sand.
Journalist and underground music champion Alan Cummings talks to Keiji Haino about his career and his performance the previous evening.
Akio Suzuki and John Butcher performing in an abandoned oil tanker on Hoy.