 
Kazuo Imai & Atsuhiro Ito
Atsuhiro Ito Kazuo Imai
A loud, buzzing stew of electrical light as noise and convulsive electric guitar squall.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
 
A loud, buzzing stew of electrical light as noise and convulsive electric guitar squall.
 
Location: Around and about the old public library in Easterhouse; disinvested in and left to rot by the council but which was shamelessly, hastily and superficially cleaned by them in expectation of our event.
 
Bringing together artists working with music, sound, film and the moving image, KYTN 2008 saw performances, improvisations, screenings and installations over three days at DCA.
 
A voice that can vault from an elegantly whispered insinuation to asphyxiated and murderous barks or squalls in a heartbeat.
 
Four perspectives from people involved in different anti-capitalist and anti-racist struggles, considering how ideas of ‘ending’ have shaped their political thinking and praxis.
 
A mixture of investigation groups, live performances, screenings and installations at DCA; the festival looked to strip back music, sound, film and moving image to their core ideas and explore them with artists and audiences.
 
A series of reality dramas happening over the course of the weekend.
 
For day two of Ultra-red’s project, the investigation will take up protocols for listening to the sound of freedom composed and facilitated by the Vogue’ology collective.
 
A series of three short performed situations and statements to be examined or judged from the most interesting young musician in Glasgow (we think).
 
This event honoured those individuals who achieved the status of Icon during the period of 1986-1990.
 
A multi-speaker, electronic, spacious and spatial performance from Florian Hecker.
 
CCI Sound system: a performance in which new material will be mixed and phased between two huge PA’s, one a precise Meyer system, the other a huge wall of Marshall amps