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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Hands fiddle with items lit by headtorch
7 February 2008
Lobey Dosser Statue

Personal Space

Usurper

Usurper jamming live in a skip at the site of Bud’s Neill’s Lobey Dosser statue on Woodlands Road.

INSTAL 08
26 – 27 March 2022
CCA Annex (Online)

A Breath to Follow | Um sopro a se seguir

2 days of online discussions and artists presentations exploring the cosmological, decolonial, sensorial practises of Black and Indigenous grass roots art, dance and music collectives in Brazil.

Dois dias de discussões e apresentações online de artistes explorando as práticas cosmológicas, decoloniais e sensoriais de coletivoas de arte, dança e música de base negra e indígena no Brasil.

Daniel Carter, Andrew Barker & Sabir Mateen performing at MLFC 07
13 May 2007
The Sage Gateshead

Daniel Carter, Andrew Barker & Sabir Mateen

Daniel Carter Sabir Mateen

Daniel Carter & Sabir Mateen’s trio with percussionist Andrew Barker; incessantly driving forward through sweat-drenched bursts of pure ecstatic freedom.

Music Lover’s Field Companion 07
A gender queer performer sits in a chair on stage, smoking, flanked by plants
26 May 2013
Tramway

Boudry/Lorenz

Pauline Boudry Renate Lorenz

Trans-temporal drag, sexuality and the re-staging of illegible moments in history.

Episode 5: Hidden in Plain Sight
Fritz Welch and Neil Davidson playing a string quartet on drums and guitar
13 November 2010
Tramway

String Quartet

Neil Davidson

Three different performances variously featuring: Fritz Welch, loud drums, guitar, local collaborators, paper, memories, Roland Barthes, string quartets

INSTAL 10
Ludo bellowing into a microphone at INSTAL 06
13 October 2006
The Arches

Blood Stereo & Ludo Mich

Blood Stereo Ludo Mich

Blood Stereo & Ludo Mich: linking past and present generations of DIY intuitive expression in a post fluxus ‘big mess’.

INSTAL 06
William Basinski in shirt and tie, blue screen behind, gold table to the fore
16 October 2004
The Arches

William Basinski

William Basinski

Improvising using nothing so much as the passage of time as his instrument, Basinski creates works of great melancholic depth and fragile beauty.

INSTAL 04
Henri Chopin on stage smiling and operating a tape recorder
16 October 2005
The Arches

Henri Chopin

Henri Chopin

Renouncing the bind of the written word, Chopin’s sound poetry is a magical evocation of the pure powers of the voices, stripped bare of language.

INSTAL 05
Black serif font reads Kill Your Timid Notion on a mottled white background
17 – 19 February 2006
DCA

Kill Your Timid Notion 06

A festival hewn from passions for experimental music, film and visual art and for a passion in figuring out how they can relate to, cross-fertilise and inspire and each other.

arika_ep7_IMG_4240
16 April 2015
Tramway

TLRS Morning Show

Laurence Rassel Terre Thaemlitz

(Cyber)feminist, non-essentialist transgender and queer daily radio shows using the formula of morning radio as an arch way of thinking about the scripted behaviour and controlled empathy of systematic care.

Episode 7: We Can’t Live Without Our Lives
Four People sitting in a row, one in red hair talking
20 April 2017
Strathclyde Uni

Supporting Sex Workers

Catriona O’Brien Chamindra Weerawardhana Gracie Mae Bradley Juno Mac Laura Watson Luca Stevenson Nadine Stott Paulina Nicol Sabrina Sánchez Thierry Schaffauser

Three panels offering opportunities to discuss how to build stronger alliances between the sex workers’ rights, migrants rights and reproductive justice movements and how to face, together, an increasingly punitive and reactionary system.

Sex Workers’ Festival of Resistance
Nate is shown from the waist up, leaning against a fence, wearing a navy t-shirt
24 November 2019
Tramway

Nathaniel Mackey

Nathaniel Mackey

“Mackey composes realist-mythic layering of lyrical prose unlike anything being written today.” — New York Times. “Our greatest living epic poet…Mackey’s poetry and criticism have reinvented modernism for our time.”— LitHub

Episode 10: A Means Without End
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