B-52
Hartmut Bitomsky
Hartmut is going to talk a little about his work at large and the politics of how his films are constructed. And we’ll screen one of his best films: B-52.
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Hartmut is going to talk a little about his work at large and the politics of how his films are constructed. And we’ll screen one of his best films: B-52.
A dance party love letter to our community, expressing the joy of relation in the abstract and through actual physical proximity.
Jumping off from Sun Ra’s thoughts on evil, and the Alien films, this performance will explore how the sociality Sondra wants to visualise and participate in has no interest in respectability.
60 minutes of hard ass minimal film, projected onto a weather balloon and accompanied by the inspired poetic rant of a visionary Frenchman.
The final iteration of Arika’s INSTAL festivals, the 2010 edition was an experimental festival of experimental music – 3 days of events at the Tramway that explored un-average ideas about sound and music.
A guitar solo of frugal wringing, of notes in the dark, an attitude of making everything count.
Taku’s actions strip back musical performance to one of its original proposals: what is an action and how does it create a situation for spending time together, for paying attention?
Live ISDN drone performance resonating between Dundee and an empty Montreal Grain Silo.
Instead of the one-way monologue of normal performance, what would be the result of an actual collective dialogue? Where would it go?
A talk entitled ‘The Conquest of the Universe’: which delves into the connections between the underground filmmakers and musicians in New York in the early 1960s
Akio Suzuki and John Butcher performing in a remote sea cave near Durness.
Christian Bök‘s work spans thrillingly conceptual poetry to body-shaking vocal performances.