Waywardness
Saidiya Hartman
A socio-poetic reading on wayward communities – The wayward create upheavals, incite tumult. They come and go as they please; they are fugitive; they are in open rebellion against society.
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A socio-poetic reading on wayward communities – The wayward create upheavals, incite tumult. They come and go as they please; they are fugitive; they are in open rebellion against society.
A double bill. A simple first person, Dundee-specific tracking shot that approaches the cinema/ screen/ space the film will eventually be shown in and in Brazilian opera house, a fixed camera gazes at a local audience from the stage: a choir, hidden in the orchestra pit, sings and gradually fades to silence.
Harrowing but musical confrontations with the very real, physical and aural trauma of a woman screaming.
Open-ended, paradoxical and performed investigations into: misunderstanding, language games, form saturated with sense, and consecutive matters…
A chat, with examples (Zola, H. P. Lovecraft, Hammer Horror), about blackness and the sheer stupid thickness of what has no profundity whatsoever.
A drone installation populated by flourescent strip lights working in complicity with analogue radios – “all the lights just do their thing”.
A 100 strong Feral Choir of people who’ve never improvised with their voices before, conducted by composer Phil Minton.
An immersive live performance for multiple 16mm film and bass clarinet, taking in the whole gallery, submerging the audience.
Live ISDN drone performance resonating between Dundee and an empty Montreal Grain Silo.
An invitation into languages field of touch; to speak in feeling together.
Merzbow takes the junk of sound and transforms it into blistering noise assaults with an incredible spectrum and impact.
Journalist and underground music champion Alan Cummings talks to Keiji Haino about his career and his performance the previous evening.