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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Takehisa Kosugi bowing a violin between two screens showing waves
21 May 2005
The Sage Gateshead

Catch-Wave ’05

Takehisa Kosugi

A new interpretation of Kosugi’s Catch-Wave, producing a cloud of fluctuating, hypnotic drones, in front of a backdrop of projected waves.

Music Lover’s Field Companion 05
Several brightly coloured abstract square forms are complexly layered
18 February 2006
DCA

Film Programme 1: Colour

Jennifer Reeves Various Artists Ian Helliwell Yasunao Tone

A glance at both analogue and digital processes; the clarity and precision of digital colour or the yawning, endless depth of dye and emulsion, our programme celebrates how both approaches revel in colour, saturation, hue and tone.

Kill Your Timid Notion 06
a Sri Lankan, Irish and Galician nonbinary femme with curly brown silver and purple hair and an undercut, wearing a “talk to plants, not cops” navy and turquoise crop top, tiny black denim shorts and a hot pink KN95 mask, takes a mirror selfie with a phone with glitter and many kinda of brightly colored animals and plants on it.
21 June 2023

Altar: Odes to the Lost/ never lost Introduction

Leah Lakshmi Piepzna-Samarasinha

Introducing and setting intentions for a crip grief transformation and witness altar. A place to sit and breathe, remember our dead, wash our hands and leave offerings to and for loved ones we’ve lost – and for ourselves.

I wanna be with you everywhere 2023
A flyer that says NYC Rumble Ball 66 The Road to Master. In black and red.
20 April 2014
Club Escuelitas

The Road to Mastery Rumble Ball

Various Artists

This mini, late-night ball will include categories inspired by the events earlier in the weekend.

Master Ballstar Weekend
A cutting from the New York Times, showing a man in a blue jumper
21 January 2012
CCA

Argument

Andrew Tyndall Anthony McCall

Argument is a provocative, multi-layered film essay, a trenchant analysis of the media and remains a critically relevant and critically inflammatory tract.

Episode 1: A Film is a Statement
An audience assembled inside a cave a pool of water between them and performers
23 June 2006
Smoo Cave

Smoo Cave

Akio Suzuki John Butcher

Akio Suzuki and John Butcher performing in a remote sea cave near Durness.

Resonant Spaces
Hijokaidan on stage performing with intensity and strong lighting
15 October 2005
The Arches

Hijokaidan

Hijokaidan

Hijokaidan rapidly built a following due to the overwhelmingly physical intensity of their live performances, often involving destructive onstage rituals of vomit, urine, mangled guitars and ear shredding volume.

INSTAL 05
Man in Black clothes standing next to two microphones, staring out
12 November 2010
Tramway

Object of Thought

Mattin

A solo improvisation using just the situation of the concert: a space, a PA, Mattin’s own thoughts, you, the audience.

INSTAL 10
Make A Way Out of No Way Poster Graphic
26 – 28 September 2014
Tramway Stereo

Episode 6: Make a Way Out of No Way

A 3-day exploration – through performance, screenings and discussion – of the art and politics of wayward communities who refuse to be bound by the fictions of race and sex.

Tetusi Akiyama sitting with a guitar surrounded by audience
15 October 2005
The Arches

Tetuzi Akiyama

Tetuzi Akiyama

An contradictory guitarist, he’s equally at home in slow, halting acoustic improvisation or piercing minimal examinations of electric guitar.

INSTAL 05
Kiyoharu Kuwayama holding blocks of dry ice to a hot metal plate
14 October 2006
The Arches

Lethe

Kiyoharu Kuwayama

A performance for dry ice and four specially constructed steel tables, each one heated by a single candle until searingly hot.

INSTAL 06
Arika_Episode2_Mattin_TimGoldie_Photo_AWoodward-12
24 February 2012
Tramway

Abject Music

Mattin Tim Goldie

Could they be one of the most ferocious live noise acts around, or a necessary and ludicrous parody of ferocious noise acts? Could they be both?

Episode 2: A Special Form of Darkness
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