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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A woman in a white dress jogs across a frame screened on a wall
27 February 2010
DCA

Film Programme 2: Repetitive Actions

Emma Hart Guy Sherwin Morgan Fisher Various Artists

Setting up a minimal procedure to explore the interaction between a person and the (documentary) film/ video process. What initially seems simple ends up contrarily distanced and intimate, public and private.

Kill Your Timid Notion 10
a newspaper clipping of a drawing of a donkey, side on
29 November 2008
BFI Southbank CCA Arnolfini

Word Associations

Various Artists Guy Sherwin John Smith

A programme of discontinuity between narration, text and image. Including Manual Saiz’s employment of John Malkovich’s Spanish dubbing double and Peter Rose’s absurdly hilarious concrete poetry subtitling chaos.

Kill Your Timid Notion on Tour
The high domed ceiling of Hamilton Mausoleum seen from below
29 June 2006
Hamilton Mausoleum

Hamilton Mausoleum

Akio Suzuki Chris Corsano John Butcher

Chris Corsano, Akio Suzuki and John Butcher performing in the Hamilton Mausoleum, Hamilton.

Resonant Spaces
Drawing of concentric arrows with 3 words in the centre: attacker, helper,victim
19 April 2015
Tramway

Work Care Class 3 – Care & Revolution

Howard Slater

Final workshop exploring work, care and class. Does the ‘care industry’ summon forth its own class? Can this ‘affective class’, in their ability to care for others, militate against the carelessness of self-interest?

Episode 7: We Can’t Live Without Our Lives
Up-Tight on stage at INSTAL 05 lit from behind in high contrast
14 October 2005
The Arches

UP-TIGHT

UP-TIGHT

Black-clad with an ominous aura created by their distorted guitar epics, burnt-out ballads and raucous mantric jams.

INSTAL 05
Terre Thaemlitz lies on the ground, wrapped in a plastic sheet, and eerily lit
25 May 2013
Tramway

Soulnessless – Introduction

Terre Thaemlitz

“I am truly without faith. In a media marketplace that demands soulness, I can only offer soulnessless.”

Episode 5: Hidden in Plain Sight
Dream-like landscape doubly exposed, clouds seem to be on top of ocean on top of land.Three deer turn away from the camera into the diffracted horizon.
14 November 2024
Tramway

barrunto

Emilia Beatriz

A speculative narrative film informed by poetry and theories of quantum entanglement across diasporic distance. An intimate exploration of grief and resistance in shifting landscapes of loss, from the streets to the bed.

Episode 11: To End the World As We Know It
An image of someone's legs and a platform in silhouette
26 February 2010
DCA

Smith/Stewart

Smith/Stewart

Smith/Stewart set up allegorical situations over which they often have little to no control, but which instigate explorations of dependence and trust, the body, sex and death.

Kill Your Timid Notion 10
Script papers are strewn across a black floor
20 April 2013
Tramway

No Total

What kind of listening and acknowledging do we offer each other? What is it to listen to an ‘elsewhere’, and do we ever do anything else when we listen to music?

An abstract pattern against a black background
17 February 2006
DCA

Christmas Tree Stand

Bruce McClure

A stroboscopic and intense sensory overload of flashing abstract forms, cut to ribbons by modified projectors.

Kill Your Timid Notion 06
21 April 2025

Week Seven: Reframing Trauma

Lisa Fannen Sapna Agarwal

We’ll be looking at reframing trauma, how we might understand trauma in the bodymindsoul, taking a look at the physiology of trauma, forms of trauma, and at ways to mitigate and heal trauma.

In Our Hands 2025
Graphic of a white bird on a black background
1 December 2002
The Arches

INSTAL 02

The second edition of the INSTAL festival broadened it’s scope to include performances from Francisco Lopez, Phil Niblock, Stefan Mathieu, Alva Noto, Ryoji Ikeda and John Wall.

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