
Shuji Inaba
Shuji Inaba
A confrontational and somehow shamanic stance; introspective silences shattered by savage jabs at the strings, whirlwind strums dying into spartan chords
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
A confrontational and somehow shamanic stance; introspective silences shattered by savage jabs at the strings, whirlwind strums dying into spartan chords
Can we use sound, repetition and difference to personally and collectively engage with space, time and labour?
A day of presentations and discussions on the theme of audio visual perception in the context of experimental music, film and art.
Paper Piece: Secrets is a performance for and with the whole audience, using paper, text, secrets, being in the crowd
Umeda is a Japanese artist who is as fascinated in setting up interesting situations to observe, as he is in creating performances.
Databases carry the same seeds of creativity that early documentary makers saw in film. Both can empower people by helping them to master information, both can be claimed to represent some kind of reality or truth.
An audio/ video, lecture/ performance exploring the queer and companionly inter-activity of human-animal relations.
Investigating the border between the audible and the visible means looking at the margins, the edges of creativity where artists test out new boundaries and define them anew.
The second of two short film programmes featuring works that blur the boundaries between music and film from artists who cross and redefine those long held divisions. This programme highlights contemporary works.
From really simple, open instructions, An Unrhymed Chord creates a kind of half-way point between composition and improvisation.
Can a collective performance of NourbeSe’s poem of black life as it exceeds containment enact alternative forms of selfhood that emerge in and out of African diasporic experience?
A performed lecture concerned with Renaissance occult (musical) thinkers of the cosmic who put forward the notion of the “disharmony of the world”