
From Subjection to Subjection
Charlene Sinclair Saidiya Hartman Tourmaline
A conversation about the movement for prison abolition and refusing the logic of race and sex that underpins the criminalisation and mass incarceration of communities.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
A conversation about the movement for prison abolition and refusing the logic of race and sex that underpins the criminalisation and mass incarceration of communities.
Percussion used to explore the social construction of space
Robin Hayward – exploring the micro-sounds of a tuba, filling slowly with sand.
Slapstick comedy, monologue, and a kind of live sculpture transformed through video, props, musical instruments and make-up.
This event honoured those individuals who achieved the status of Icon during the period of 1986-1990.
Work for cello, percussion, contra bassoon and cherbulum commissioned for Instal in collaboration with Paragon
The most sophisticated synthetic music around: timbrally otherwise body music as sonified fictions and auditive sociograms.
For day three of Ultra-red’s project, the investigation will take up protocols for listening to the sound of freedom composed and facilitated by Nancy Nevárez.
For musical chameleon Richard Youngs both his creative and family life are focused in the room that many of us consider the centre piece of our lives.
A cast of pioneering spirits over an expanded three day festival including Jandek (one year on from his first ever show at INSTAL 04), JO-JO, Tetuzi Akiyama,Tom Bruno, Pauline Oliveros, a legendary Hijokaiden performance and Henri Chopin.
The ongoing development of [b]reach, an abolitionist black queer retelling of Marge Piercy’s incredible feminist utopian novel Woman on the Edge of Time.
Adamantly analogue, inspiring and frequently chaotic in performance, Metamkine draw no distinction between image and sound; during their intuitively improvised performances music and images are created simultaneously and equitably.