Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Patented 60 cycle hums, static pops, and terse electron pinpricks mutated into perfect, post-techno grooves and synaesthesic video
The most sophisticated synthetic music around: timbrally otherwise body music as sonified fictions and auditive sociograms.
Avant-wrongdoers Blood Stereo performing in Garthamlock the town spawned them.
Goofily deformed, deeply thought vocal jams: like the sound of your own breath rushing through your head.
Performance of a Sudoko based graphic score giving rise to a process of self cancellation.
Dworkin asks: What would a non-expressive poetry look like? A poetry of intellect rather than emotion?
In Our Hands is a nine week programme of workshops exploring radical approaches to health and collective care in the movement for liberation and social justice.
Everyday objects and materials (rubber bands, paper, a sink, microphones) disabused of their inertia and made to speak for themselves in a kind of focusing in on the tiny, repetitive, almost unobserved (sonic/ visual) potential of everyday things put into motion.
Audio signals pass through light bulbs, causing the filaments of the bulbs to sing and crackle in a chorus of electronic static.
Usurper jamming live in a skip at the site of Bud’s Neill’s Lobey Dosser statue on Woodlands Road.
A Performance exploring the nature of acousmatic listening; sound removed from visual context and understood for it’s own properties.
NVA asked Arika to curate and programme the sound aspects of their 2007 Half-Life production in Kilmartin Glen. Arika worked with Toshiya Tsunoda, Lee Patterson, Rhodri Davies and Angharad Davies.
