Episode 2: A Special Form of Darkness
A festival asking how ideas of nihilism, darkness, subjectivity and abjection play out in experimental music, performance art, horror, neuroscience and philosophy?
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A festival asking how ideas of nihilism, darkness, subjectivity and abjection play out in experimental music, performance art, horror, neuroscience and philosophy?
Post consideration and post rationalisation… How do we think about experimental music and film after the performance?
A series of events organised by the Vogue’ology collective from the House Ballroom community in New York grounded in the scenes history of autonomous, self-organised struggle and a shared investment in collective art practices and how those intersect with the multiple and often divergent struggles for freedom.
Summing up of the investigations with a reflection on what has been done that week and what could be done the next.
“I am truly without faith. In a media marketplace that demands soulness, I can only offer soulnessless.”
Is it possible to dance our way out of the hardened stances and identity prisons we are locked in?
We wanted to ask a bunch of the best high-energy-improvisers around; can musical form really taking shape via a group energy? Can individual concentration lead to a group consciousness?
A cinema of the mind, a film to take place in the viewers’ imagination(s).
The weeks previous TLRS daily radio shows, after-hours conversations, radio booths and special guests reassembled as a live electroacoustic performance.
Beat poet Ira Cohen’s now infamous and wildly psychedelic film odyssey feeds one’s own seeing apparatus through beautifully warped and distorting mylar mirrors, resulting in a film dense and rich with visual arcana and poetry.
An LSD trip gone right via dense explorations of post-Fahey steel and low level drone.
Bleu Shut reveals, and allows us to enjoy, our gullibility within the pervasive absurdity of modern life.