
Speculative Solution
Florian Hecker
A multi-speaker, electronic, spacious and spatial performance from Florian Hecker.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
A multi-speaker, electronic, spacious and spatial performance from Florian Hecker.
AMM have undoubtedly been among the most important contributors to the UK free improv scene for nearly 40 years and we are extremely proud to be able to be working with such distinguished musicians who still rarely play live in the UK.
“I am truly without faith. In a media marketplace that demands soulness, I can only offer soulnessless.”
A historical narrative of the black and latino/a transgender, bisexual, lesbian, and gay House and Ballroom Scene in relation to its artistic practices.
An invitation into languages field of touch; to speak in feeling together.
Join Scot-PEP, SWARM and Decrim Now for a day of panel discussions focusing on: sex worker’s labour rights, how decriminalisation can help in the struggle for sex worker safety, sex work & migration with a film screening of Crossings.
“The miracle of Herman Melville is this: that a hundred years ago in Moby Dick…he painted a picture of the world in which we live, which is to this day unsurpassed.” – C. L. R. James
Thuja specialise in a unique and abstract folk music, a devoutly organic tapestry deeply rooted in the sway and bow of nature.
One of the most influential groups in improvised music, with the collective understanding that comes from listening keenly to each other for decades
The Echo project is an installation as audio guide for a crowd. And at the same time it’s a private conversation: with you, as one of 20 people in a room, a sort of public intimacy.
Improvising violinist Angharad Davies performing with pianists Tisha Mukarji and Andrea Neumann.
How do we sense entanglement? Can the knotting of ropes according to a poem’s rhythm make the social pulse of language matter?