Arrington de Dionyso
Arrington de Dionyso
Solo performance on bass clarinet, jaw harp & voice by Arrington De Dionyso.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Solo performance on bass clarinet, jaw harp & voice by Arrington De Dionyso.
60 cycle hums, jagged static cracklings, and clipped electron pinpricks, mutating them into sublime, post-techno grooves
A discussion about what is at stake in the performance of realness and the practice of passing, and how they are both acts of survival and resistance.
Three speakers play back pre-recorded sounds, Marc listens and responds: “What is played is the imperfect witness of what I listen to (or maybe better, how I listen).”
A public walk from George Square to the Barras market bringing contributions from researchers, activists and artists in a form of live critical praxis
The most sophisticated synthetic music around: timbrally otherwise body music as sonified fictions and auditive sociograms.
Thuja specialise in a unique and abstract folk music, a devoutly organic tapestry deeply rooted in the sway and bow of nature.
No Wave, damaged garage jams and crazed instant vocal shrieks.
Do ideas emerging from particle physics help to re-think of blackness as a mode of life in which it’s possible to practice difference without separation?
Sparse and miniature free thought workouts involving guitar, vocals and tuba.
Is there a link between the ways we’re caged and exiled by the prison-industrial complex and the ways people’s bodies are violently categorised and segregated by race, class, gender or ability?
Paper Piece: Secrets is a performance for and with the whole audience, using paper, text, secrets, being in the crowd