B-52
Hartmut Bitomsky
Hartmut is going to talk a little about his work at large and the politics of how his films are constructed. And we’ll screen one of his best films: B-52.
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Hartmut is going to talk a little about his work at large and the politics of how his films are constructed. And we’ll screen one of his best films: B-52.
Includes: a polish counting lesson, around NYC with D A Pennebaker, a portrait of a tower block, a man with a spade, at home with KYTN regular Guy Sherwin, a cinematic Blair Witchish cut-up and a song for some swings.
What to do about a telethon other than fuck it up? Poet, tarotist, artist, and librarian Cyrée Jarelle Johnson returns to IWBWYE to read the 1980s and ’90s for what those decades were: practice for now.
Nothing if not repetitive, film is founded on the incremental succession of minute difference. But how does repetition of the same play out, and is it a tool to comment on the standardising repetition of the mass media?
An informal conversation, over breakfast, about how abolition and movement work structures Mijke and Nat’s approach to transfeminism, ahead of their new book Trans Femme Futures.
Is it possible to dance our way out of the hardened stances and identity prisons we are locked in?
Summing up of the investigations with a reflection on what has been done that week and what could be done the next.
A performance by Storyboard P – one of the greatest Afrofuturist dancers on the planet.
Jarrod Fowler creates a social space where layered one-to-one live encounters with the audience become sonic material.
Haino exceeds expectation with a 4 hour solo performance on a collection of more than forty instruments from all over the world.
Trans-temporal drag, sexuality and the re-staging of illegible moments in history.
A dense, hard, immersive, chaotic spatial performance in sound: a momentary gap in consciousness, free of order or decision.