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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A film still shows an interior view along a hospital corridor
14 April 2019
Performance Space New York

After…After…(Access)

Jordan Lord

A fully transcribed, described, and open-captioned film screening that’s nothing short of their actual open heart.

I wanna be with you everywhere
Pauline Oliveros holding an accordion while reading information from a laptop
16 October 2005
The Arches

Pauline Oliveros & David Dove

David Dove Pauline Oliveros

Since the 1960’s Oliverios has had a profound influence on generations of musicians through her work with myth and ritual, improvisation and meditation.

INSTAL 05
Tetusi Akiyama sitting with a guitar surrounded by audience
15 October 2005
The Arches

Tetuzi Akiyama

Tetuzi Akiyama

An contradictory guitarist, he’s equally at home in slow, halting acoustic improvisation or piercing minimal examinations of electric guitar.

INSTAL 05
Sondra Perry stands on ladder in front of screen with multiple layered images
23 October 2016
Tramway

Lineage for a Multiple-Monitor Work-station

Sondra Perry

A celebration of our overabundant social entanglement and complicity, that remind us of how we can see ourselves, stripped of powers’ attempts to grasp us.

Episode 8: Refuse Powers’ Grasp
Someone hands are bound in maybe 15 different, irregularly knotted ropes
21 November 2019
Tramway

Gravitational Feel: Opening Performance

Fred Moten Wu Tsang

Gravitational Feel is an engine for intensifying the differentiation of our entanglement, which you continually reprogramme in the mutual rub, shift and lap of its sonic, wooden, steel, textile and human material.

Episode 10: A Means Without End
Strips of 16mm laid horizontally to show red and yellow flares of light
12 October 2008
DCA

Film Programme: Feedback

John Butcher Luis Recoder Paul Sharits Various Artists Toshiya Tsunoda

The pieces in the programme switch between silent film/ imageless sound, but we wanted to have a think about how ideas can take up residency on either side of the sound/ image border, without having to inhabit both at the same time.

Kill Your Timid Notion 08
Instal 09 poster
20 – 22 March 2009
The Arches

INSTAL 09

Looking at and listening to different ideas about sound and music, INSTAL 09’s collection of artists included Tetsuo Kogawa, vocalist Joan La Barbara, Phil Minton (and his Century FC feral choir), Austrian Actionist Hermann Nitsch, Steve McCaffery and many more.

Arika_Instal05_Bruno BW 3
16 October 2005
The Arches

Tom Bruno

Tom Bruno

Bruno’s liberated improvisational approach stretches beyond the lyrical, tough as nails rhythmic bursts and expressive, swinging attack of his drumming.

INSTAL 05
Bhob Rainey and Greg Kelly playing saxophone and trumpet
22 May 2005
The Sage Gateshead

Nmperign

Nmperign

Boston duo of saxophonist Bhob Rainey and trumpeter Greg Kelley approach their improvisations with a slew if extended techniques and pregnant silences.

Music Lover’s Field Companion 05
Fred Moten in a black and red shirt prepares for a discussion
21 April 2013
Tramway

Fred Moten – Chat

Fred Moten

In many ways, this Episode is our attempt to engage with Fred’s incredible writing: with his proposal that all black performance (culture, politics, sexuality, identity, and blackness itself) is improvisation.

Episode 4: Freedom is a Constant Struggle
Charlemagne Palestine seated at two pianos surrounded by soft toys
21 May 2005

The Golden Mean

Charlemagne Palestine

An extravagant debauch of huge pianos, plush toys, cognac and ritual.

Music Lover’s Field Companion 05
8 – 9 November 2025

Class (in the arts) Workshop

ARC (A Revolting Class) SAU (Scottish Artist Union) Common Treasury Scottish Working Class Network

A 2-day workshop to deconstruct our classed experiences and the ways in which we reproduce the same class system we fight against, in order to create a stronger, more egalitarian Scottish art sector.

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