Criminal Case 40/61: Reverb
Andrea Geyer
A performed installation by one of Germany’s most interesting visual artists, based on edited transcripts of the 1961 trial of Adolf Eichmann in Jerusalem and the writings of Hannah Arendt
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
A performed installation by one of Germany’s most interesting visual artists, based on edited transcripts of the 1961 trial of Adolf Eichmann in Jerusalem and the writings of Hannah Arendt
A glance at both analogue and digital processes; the clarity and precision of digital colour or the yawning, endless depth of dye and emulsion, our programme celebrates how both approaches revel in colour, saturation, hue and tone.
Dub is strange. A conversation with Edward George and Dhanveer Brar.
A Performance exploring the nature of acousmatic listening; sound removed from visual context and understood for it’s own properties.
A stroboscopic and intense sensory overload of flashing abstract forms, cut to ribbons by modified projectors.
Paul Sharits is one of our all time heroes, and one of the great artist filmmakers of the 20th Century.
Profound mathematical ideas for romantics, to help us linger in the difference we share.
Dundee. Progressive rhythmical guitar squall vs. post-highland discorporate dusk-jockey.
Could cruising and random public sex be the basis of an ethically organised society? A discussion with Jackie Wang, Samuel R. Delany and Huw Lemmey.
Noise music for the eyes. A 6 screen 16mm projection performance of intense audio and visual stimulus.
The club as a community and a site for performed politics: deep/ queer house, vogue femme, lipsync and ballroom.
A chat, with examples (Zola, H. P. Lovecraft, Hammer Horror), about blackness and the sheer stupid thickness of what has no profundity whatsoever.