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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Jandek and Richard Youngs onstage at MLFC 05
22 May 2005
The Sage Gateshead

Jandek

Jandek Alex Neilson Richard Youngs

Jandek’s second ever live performance, and the first to be advertised in advance.

Music Lover’s Field Companion 05
Publicity image of a man with blood coming from his ear
9 December 2001
The Arches

INSTAL 01

The first INSTAL festival (programmed by Barry Esson of Arika and Tiernan Kelly) featured a line-up including Robert Lippock, Philip Jeck, Fennesz, Paragon Ensemble, Icebreaker International, Defaalt and Rhomboi.

Maryanne Amacher operating a mixing console, wearing glasses
15 October 2006
The Arches

Maryanne Amacher

Maryanne Amacher

A rare live performance which, although not a full installation, made use of the unique acoustic and spatial properties of the Arches to rattle the audience and help it locate its third ear.

INSTAL 06
A woman looks towards the camera from the a low angle, there are trees behind
19 April 2015
Tramway

Standing in the Flesh

Hortense J. Spillers

In rethinking the body, the law, the state, gender, race, violence, care and empathy, how we might give humanness a different future?

Episode 7: We Can’t Live Without Our Lives
An abstract pattern against a black background
17 February 2006
DCA

Christmas Tree Stand

Bruce McClure

A stroboscopic and intense sensory overload of flashing abstract forms, cut to ribbons by modified projectors.

Kill Your Timid Notion 06
Four people on stage have a discussion. A screen projects images behind them
21 October 2016
Tramway

Life In Flight From Every Prison

Dean Spade Joshua Allen Tourmaline We Will Rise

Is there a link between the ways we’re caged and exiled by the prison-industrial complex and the ways people’s bodies are violently categorised and segregated by race, class, gender or ability?

Episode 8: Refuse Powers’ Grasp
Film still from A Plot, A Scandal. A person is sits on top of a thick fur blanket or rug. They are sat on their bottom, their right hand and leg are raised up. In their hand they hold a what looks like a wooden pole. They are dressed in lilac silk and wear a wig of light curly hair, like a judge’s wig. It is a staged environment with a cast of yellow light highlighting the figure.
14 November 2024
Tramway

A Plot, A Scandal

Ligia Lewis

Conceptual choreography as critique, in Ligia’s film of Caribbean plots and scandals, and the possibilities of anti-colonial revenge, rest and repair.

Episode 11: To End the World As We Know It
Beams of light fanning out across an audience from different directions
29 November 2008
BFI Southbank BFI IMAX ICA Spike Island Arnolfini CCA

Light Trap

Greg Pope Norbert Möslang

Out of a dark haze, shafts of light emerge, as the emulsion is scratched from the surface of the film. Simultaneously, out of the black silence, noise and audible scratches bloom into a bright drone.

Kill Your Timid Notion on Tour
Still from animated film ‘shit’s totally fucked! What can we do? A mutual aid explainer’ – text and illustrations on paper and wood, that spells out “something really important about all this is that Mutual Aid is not Charity”
9 March 2022

Mutual Aid on the Road to Abolition

Dean Spade Abolitionist Futures

How do we make the connections between the mutual aid practices of our daily lives and anti-capitalist efforts to dismantle wider systems of exploitation?

Mutual Aid
Merzbow: Masami Akita looking at a computer screen
23 November 2003
The Arches

Merzbow

Merzbow takes the junk of sound and transforms it into blistering noise assaults with an incredible spectrum and impact.

INSTAL 03
Sean Meehan performing in a on a curved wall before an audience
6 July 2007
Union Terrace Gardens

Shadowed Spaces Aberdeen

Ikuro Takahashi Sean Meehan Tamio Shiraishi Denis Wood

Disused railway turning circle at east end of Union Terrace Gardens, a historically public space at the centre of a regeneration land-grab for the private gain of a local petro-chemical magnate.

Shadowed Spaces
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