Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
What is happening when systems of repression try to grasp communities’ ways of being, living or surviving, applying laws of sexuality, gender or race to cast them as criminal?
In rethinking the body, the law, the state, gender, race, violence, care and empathy, how we might give humanness a different future?
An immersive live performance for multiple 16mm film and bass clarinet, taking in the whole gallery, submerging the audience.
HEAVY Japanese super group, featuring the sundown delta blues of Kan Mikami, Toshi Ishizuka’s heavy, time folding drumming and Masayoshi Urabe on sax, harmonica and chains.
A confrontational and somehow shamanic stance; introspective silences shattered by savage jabs at the strings, whirlwind strums dying into spartan chords
Using violin and cello the duo map out a twilight sonic world that seems to tread the faultlines between improvisation and composition.
Blood Stereo & Ludo Mich: linking past and present generations of DIY intuitive expression in a post fluxus ‘big mess’.
A performance for dry ice and four specially constructed steel tables, each one heated by a single candle until searingly hot.
A specially commissioned performance for organ. “The course of the stars were to be put to sound.”
These simple, one-take videos, relate personal experiences to the current conflicts in the Middle East via the most basic of means (a hotel room, a camcorder, John’s personal thoughts, concerns and convictions).
Rather than asking the state for services, what kinds of change are made possible when we prioritise people supporting each other?
Temporary Outpost for an Auditory Gesture is a kind of performed installation that explores how sonic phenomena (like feedback, vibration, resonance, echo, rhythm) condition our experience.
